An impressively crafted volume that evokes pathos and dark humor.
A debut collection whose evocative settings often reflect internal conflict.
Enos divides 64 poems into three sections based on location: New England, Seoul, and back to New England. Right from the outset, readers will notice arresting imagery and clever juxtapositions, as in the sharp rendering of a particular time of year in “Descent of snowlight”: “Scent of autumn’s death dances raw, / sunflower of the moon, / as thawed candles burn and mute pumpkins pray submission.” The second section, featuring glimpses of Seoul cityscapes, coffeehouse culture, and expatriate communities, opens with a melancholy poem, “For Ana (if we’re being dishonest),” which suggests a separation or long-distance relationship. The last line cuts deep: “I wouldn’t recognize your voice in the darkest room.” The collection’s title alludes to many references to alcohol consumption. In “Gypsy Bar,” Enos imagines the ideal drinking establishment that’s at once monumental and gritty, opening with the humorous and desperate line: “just give me back youth and I promise to stop writing.” This occasional use of the imperative creates a beseeching tone that effectively draws readers in. Most poems are in free verse, dense and compact. However, one highlight in the third section, “In harborside barlight,” is a prose poem. Enos also employs internal rhyme and clever inversions (“clocking tic or ticking / clock”). Consonance and assonance abound, as in this beach scene in “Remnants”: “sweeping sea at our feet, / scent of sodden dogwood washed ashore, / and transparent spiders dashing.” One of the longest and most effective poems carries the attention-grabbing title “Fuck this poem entitled, ‘After delivering your mail.’ ” Its voice belongs to a postal worker who provides wry observations of posh party guests: “Men calculate beards, go through motions. / Women occupy vacant eyes. / Fingertips hover mechanically / over one another’s shoulders.” As he creates a taxonomy of couples, he spots a single person at the party who “nods patiently in the spindrift of some lawyer’s wind.” The overall effect is reminiscent of the Joni Mitchell song “People’s Parties” and calls to mind that feeling one has standing alone in a crowded bar, surrounded and isolated.
An impressively crafted volume that evokes pathos and dark humor.Pub Date: Dec. 13, 2019
ISBN: 978-1-5326-9780-7
Page Count: 82
Publisher: Resource Publications
Review Posted Online: Oct. 7, 2020
Kirkus Reviews Issue: Dec. 1, 2020
Review Program: Kirkus Indie
With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.
After being released from prison, a young woman tries to reconnect with her 5-year-old daughter despite having killed the girl’s father.
Kenna didn’t even know she was pregnant until after she was sent to prison for murdering her boyfriend, Scotty. When her baby girl, Diem, was born, she was forced to give custody to Scotty’s parents. Now that she’s been released, Kenna is intent on getting to know her daughter, but Scotty’s parents won’t give her a chance to tell them what really happened the night their son died. Instead, they file a restraining order preventing Kenna from so much as introducing herself to Diem. Handsome, self-assured Ledger, who was Scotty’s best friend, is another key adult in Diem’s life. He’s helping her grandparents raise her, and he too blames Kenna for Scotty’s death. Even so, there’s something about her that haunts him. Kenna feels the pull, too, and seems to be seeking Ledger out despite his judgmental behavior. As Ledger gets to know Kenna and acknowledges his attraction to her, he begins to wonder if maybe he and Scotty’s parents have judged her unfairly. Even so, Ledger is afraid that if he surrenders to his feelings, Scotty’s parents will kick him out of Diem’s life. As Kenna and Ledger continue to mourn for Scotty, they also grieve the future they cannot have with each other. Told alternatively from Kenna’s and Ledger’s perspectives, the story explores the myriad ways in which snap judgments based on partial information can derail people’s lives. Built on a foundation of death and grief, this story has an undercurrent of sadness. As usual, however, the author has created compelling characters who are magnetic and sympathetic enough to pull readers in. In addition to grief, the novel also deftly explores complex issues such as guilt, self-doubt, redemption, and forgiveness.
With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.Pub Date: Jan. 18, 2022
ISBN: 978-1-5420-2560-7
Page Count: 335
Publisher: Montlake Romance
Review Posted Online: Oct. 12, 2021
Kirkus Reviews Issue: Nov. 1, 2021
SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
A boarding-school fantasia, with Hilderbrand’s signature upgrades to the cuisine and decor. Sign us up for next term.
A year in the life of the No. 2 boarding school in America—up from No. 19 last year!
Rumors of Hilderbrand’s retirement were greatly exaggerated, it turns out, since not only has she not gone out to pasture, she’s started over in high school, with her daughter Shelby Cunningham as co-author. As their delicious new book opens, it’s Move-In Day at Tiffin Academy, and Head of School Audre Robinson is warmly welcoming the returning and new students to the New England campus, the latter group including a rare midstream addition to the junior class. Brainiac Charley Hicks is transferring from public school in Maryland to a spot that opened up when one of the school’s most beloved students died by suicide the preceding year. She will be joining a large, diverse cast of adult and teenage characters—queen bees, jealous second-stringers, boozehounds young and old, secret lesbians, people chasing the wrong people chasing other wrong people—all of them royally screwed when an app called Zip Zap appears and starts blasting everyone’s secrets all over campus. How the heck…? Meanwhile, it seems so unlikely that Tiffin has jumped up to the No. 2 spot in the boarding-school rankings that a high-profile magazine launches an investigation, and even the head is worried that there may have been payola involved. The school has a reputation for being more social than academic, and this quality gets an exciting new exclamation point when the resident millionaire bad boy opens a high-style secret speakeasy for select juniors in a forgotten basement. It’s called Priorities. Exactly. One problem: Cinnamon Peters’ mysterious suicide hangs over the book in an odd way, especially since the note she left for her closest male friend is not to be opened for another year—and isn’t. This is surely a setup for a sequel, but it’s a bit frustrating here, and bobs sort of shallowly along amid the general high spirits.
A boarding-school fantasia, with Hilderbrand’s signature upgrades to the cuisine and decor. Sign us up for next term.Pub Date: Sept. 16, 2025
ISBN: 9780316567855
Page Count: 432
Publisher: Little, Brown
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
SEEN & HEARD
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