An impressively crafted volume that evokes pathos and dark humor.
A debut collection whose evocative settings often reflect internal conflict.
Enos divides 64 poems into three sections based on location: New England, Seoul, and back to New England. Right from the outset, readers will notice arresting imagery and clever juxtapositions, as in the sharp rendering of a particular time of year in “Descent of snowlight”: “Scent of autumn’s death dances raw, / sunflower of the moon, / as thawed candles burn and mute pumpkins pray submission.” The second section, featuring glimpses of Seoul cityscapes, coffeehouse culture, and expatriate communities, opens with a melancholy poem, “For Ana (if we’re being dishonest),” which suggests a separation or long-distance relationship. The last line cuts deep: “I wouldn’t recognize your voice in the darkest room.” The collection’s title alludes to many references to alcohol consumption. In “Gypsy Bar,” Enos imagines the ideal drinking establishment that’s at once monumental and gritty, opening with the humorous and desperate line: “just give me back youth and I promise to stop writing.” This occasional use of the imperative creates a beseeching tone that effectively draws readers in. Most poems are in free verse, dense and compact. However, one highlight in the third section, “In harborside barlight,” is a prose poem. Enos also employs internal rhyme and clever inversions (“clocking tic or ticking / clock”). Consonance and assonance abound, as in this beach scene in “Remnants”: “sweeping sea at our feet, / scent of sodden dogwood washed ashore, / and transparent spiders dashing.” One of the longest and most effective poems carries the attention-grabbing title “Fuck this poem entitled, ‘After delivering your mail.’ ” Its voice belongs to a postal worker who provides wry observations of posh party guests: “Men calculate beards, go through motions. / Women occupy vacant eyes. / Fingertips hover mechanically / over one another’s shoulders.” As he creates a taxonomy of couples, he spots a single person at the party who “nods patiently in the spindrift of some lawyer’s wind.” The overall effect is reminiscent of the Joni Mitchell song “People’s Parties” and calls to mind that feeling one has standing alone in a crowded bar, surrounded and isolated.
An impressively crafted volume that evokes pathos and dark humor.Pub Date: Dec. 13, 2019
ISBN: 978-1-5326-9780-7
Page Count: 82
Publisher: Resource Publications
Review Posted Online: Oct. 7, 2020
Kirkus Reviews Issue: Dec. 1, 2020
Review Program: Kirkus Indie
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
One of the noblest characters in American literature gets a novel worthy of him.
Mark Twain's Adventures of Huckleberry Finn as told from the perspective of a more resourceful and contemplative Jim than the one you remember.
This isn’t the first novel to reimagine Twain’s 1885 masterpiece, but the audacious and prolific Everett dives into the very heart of Twain’s epochal odyssey, shifting the central viewpoint from that of the unschooled, often credulous, but basically good-hearted Huck to the more enigmatic and heroic Jim, the Black slave with whom the boy escapes via raft on the Mississippi River. As in the original, the threat of Jim’s being sold “down the river” and separated from his wife and daughter compels him to run away while figuring out what to do next. He's soon joined by Huck, who has faked his own death to get away from an abusive father, ramping up Jim’s panic. “Huck was supposedly murdered and I’d just run away,” Jim thinks. “Who did I think they would suspect of the heinous crime?” That Jim can, as he puts it, “[do] the math” on his predicament suggests how different Everett’s version is from Twain’s. First and foremost, there's the matter of the Black dialect Twain used to depict the speech of Jim and other Black characters—which, for many contemporary readers, hinders their enjoyment of his novel. In Everett’s telling, the dialect is a put-on, a manner of concealment, and a tactic for survival. “White folks expect us to sound a certain way and it can only help if we don’t disappoint them,” Jim explains. He also discloses that, in violation of custom and law, he learned to read the books in Judge Thatcher’s library, including Voltaire and John Locke, both of whom, in dreams and delirium, Jim finds himself debating about human rights and his own humanity. With and without Huck, Jim undergoes dangerous tribulations and hairbreadth escapes in an antebellum wilderness that’s much grimmer and bloodier than Twain’s. There’s also a revelation toward the end that, however stunning to devoted readers of the original, makes perfect sense.
One of the noblest characters in American literature gets a novel worthy of him.Pub Date: March 19, 2024
ISBN: 9780385550369
Page Count: 320
Publisher: Doubleday
Review Posted Online: Dec. 16, 2023
Kirkus Reviews Issue: Jan. 15, 2024
PERSPECTIVES
PERSPECTIVES
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