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EMPRESS OF FOREVER

An interesting and intellectually fertile enterprise.

Gladstone shifts gears from an almost scientific brand of fantasy (The Ruin of Angels, 2017, etc.) to fantastical space opera.

Billionaire tech genius Vivian Liao has dangerously annoyed the political powers that be through her aggressively public liberal activism. So she breaks into a secure facility with the intention of hacking into the global computing network, which would allow her to counter her enemies and would, incidentally, give her world dominion. Not only does Viv manage to trip an alarm, though, but a glowing green figure brutally transports her several millennia into the future. That future is controlled by the same green personage, the Empress, who monitors everything through the Cloud (a far more evolved version of our own digital atmosphere), looting and then squashing any civilization reaching a certain level of technological sophistication to prevent it from attracting the deadly attention of a devouring species called the Bleed. Thrust immediately into danger, Viv collects a motley group of companions as she struggles to understand what’s happened to her (readers will figure out Viv’s link to the Empress before she does), find a way home, and attempt to break the Empress’ stranglehold on the galaxy. Adventure breathlessly follows on adventure, crisis on crisis, so quickly one is hard put to recall each step of the journey; the main purpose is to bond a disparate team of heroes. The power of love and/or friendship overcoming a single adversary is of course an overused trope, but Gladstone actually has a valid reason for using it here: He's illustrating the danger of allowing one person to decide that she knows best and simply grab control of everything—even if that person is stratospherically intelligent and (at least initially) has good intentions. He also seems to be commenting on the dangers of the current Silicon Valley cult(ure), in which a company is driven by the quirks of one brilliant entrepreneur.

An interesting and intellectually fertile enterprise.

Pub Date: June 18, 2019

ISBN: 978-0-7653-9581-8

Page Count: 480

Publisher: Tor

Review Posted Online: April 27, 2019

Kirkus Reviews Issue: May 15, 2019

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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DARK MATTER

Suspenseful, frightening, and sometimes poignant—provided the reader has a generously willing suspension of disbelief.

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A man walks out of a bar and his life becomes a kaleidoscope of altered states in this science-fiction thriller.

Crouch opens on a family in a warm, resonant domestic moment with three well-developed characters. At home in Chicago’s Logan Square, Jason Dessen dices an onion while his wife, Daniela, sips wine and chats on the phone. Their son, Charlie, an appealing 15-year-old, sketches on a pad. Still, an undertone of regret hovers over the couple, a preoccupation with roads not taken, a theme the book will literally explore, in multifarious ways. To start, both Jason and Daniela abandoned careers that might have soared, Jason as a physicist, Daniela as an artist. When Charlie was born, he suffered a major illness. Jason was forced to abandon promising research to teach undergraduates at a small college. Daniela turned from having gallery shows to teaching private art lessons to middle school students. On this bracing October evening, Jason visits a local bar to pay homage to Ryan Holder, a former college roommate who just received a major award for his work in neuroscience, an honor that rankles Jason, who, Ryan says, gave up on his career. Smarting from the comment, Jason suffers “a sucker punch” as he heads home that leaves him “standing on the precipice.” From behind Jason, a man with a “ghost white” face, “red, pursed lips," and "horrifying eyes” points a gun at Jason and forces him to drive an SUV, following preset navigational directions. At their destination, the abductor forces Jason to strip naked, beats him, then leads him into a vast, abandoned power plant. Here, Jason meets men and women who insist they want to help him. Attempting to escape, Jason opens a door that leads him into a series of dark, strange, yet eerily familiar encounters that sometimes strain credibility, especially in the tale's final moments.

Suspenseful, frightening, and sometimes poignant—provided the reader has a generously willing suspension of disbelief.

Pub Date: July 26, 2016

ISBN: 978-1-101-90422-0

Page Count: 352

Publisher: Crown

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: May 15, 2016

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