by Max Watman ‧ RELEASE DATE: March 24, 2014
With an essayist's flair for careful description, this is an entertaining, if not eye-opening, look at one man's passion for...
Hudson Valley writer Watman (Chasing the White Dog: An Amateur Outlaw’s Adventures in Moonshine, 2010) charts his adventures in sourcing or producing whole foods in more direct ways, without the polemical emphasis on locavore movements, environmental politics, corporate agriculture or related issues.
The author cites a few choice quotes from other writers, including Aaron Bobrow-Strain (White Bread, 2012) and Betty Fussell (Raising Steaks, 2008), which add background to the concern for remedying the nation’s food, and features passages that detail problems such as the use of bisphenol A in the canning process. However, his own stance is that food should “be fun” and not a cause for stress. Raised in a family that worked in a culinary cottage industry, Watman details a different project in each chapter. From a failed effort at producing Camembert to the pleasures of raising chickens despite their eventual deaths, the thrill of hunting pheasants in North Dakota to grinding his own sausages and planting chili peppers, food has served as a pathway for enjoyment. For readers intrigued by personal back-to-the-land cooking journeys, Watman is honest in his admission of the “deep foodie DIY production” that entailed difficult ingredients and unusual forays. Each attempt, however, remained grounded in his desire to broaden his family’s palate with less commercially processed fare; there is little sense of advocating for broader-scale changes, nor moralizing on the eating habits of others. In the strongest chapters, Watman weaves childhood memories, such as making cornichons, into accounts of his more current experiments. Watman's mistakes and triumphs have served as steppingstones on an impressively determined course.
With an essayist's flair for careful description, this is an entertaining, if not eye-opening, look at one man's passion for the pleasures of the table. Recommended as a congenial overview of homespun ideals.Pub Date: March 24, 2014
ISBN: 978-0-393-06302-8
Page Count: 224
Publisher: Norton
Review Posted Online: Feb. 5, 2014
Kirkus Reviews Issue: Feb. 15, 2014
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by Max Watman
by William Strunk & E.B. White ‧ RELEASE DATE: May 15, 1972
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
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