In this winner of the European Book Prize, Leo not only produces a moving family memoir, but also a probing exploration of...
A prize-winning German journalist’s account of how he revisited his family’s socialist past to find answers about his parents' relationship to him and to each other.
The self-proclaimed “bourgeois” of his family, Berliner Zeitung editor Maxim grew up in East Berlin. His parents, Anne and Wolf, were rebels who often made him wish “they could be as normal as all the other parents I knew.” Part of what made them different was that Anne was from West Germany and Wolf, from the East. Gerhard, Anne’s father, fought with the French Resistance and then returned home after the war to build the East German state. By contrast, Werner, Wolf’s father, was a French prisoner of war who returned home a broken man who found his balm in East German socialism. Following the idealism of her father, Anne developed a desire to “put her life at the service of the [Socialist] Party” and became a journalist like Gerhard. Eventually, she abandoned her career when she could not tolerate the censorship she witnessed or the outright lies she saw published, and she retreated into university life. Yet, however disenchanted she was with the East German state, “she remain[ed] a Socialist deep down.” Wolf had a more openly critical attitude toward prevailing political ideology. An artist, he expressed his opinions through his work, nervously aware of the tightrope he walked between ideological conformity and resistance. When change finally came to East Germany in 1989, Anne was able to distance herself from the “unhappy [socialist] love of her youth” thanks to her academic training. But Wolf “missed the security he had previously found so constricting,” and the “long love and long argument” that had been his marriage to Anne finally came to end.
In this winner of the European Book Prize, Leo not only produces a moving family memoir, but also a probing exploration of the human need to believe and belong.Pub Date: April 15, 2014
ISBN: 978-1-908968-51-7
Page Count: 288
Publisher: Pushkin Press
Review Posted Online: Feb. 12, 2014
Kirkus Reviews Issue: March 1, 2014
The book begins in Sri Lanka with the tsunami of 2004—a horror the author saw firsthand, and the aftermath of which he...
The latest from French writer/filmmaker Carrère (My Life as a Russian Novel, 2010, etc.) is an awkward but intermittently touching hybrid of novel and autobiography.
The book begins in Sri Lanka with the tsunami of 2004—a horror the author saw firsthand, and the aftermath of which he describes powerfully. Carrère and his partner, Hélène, then return to Paris—and do so with a mutual devotion that's been renewed and deepened by all they've witnessed. Back in France, Hélène's sister Juliette, a magistrate and mother of three small daughters, has suffered a recurrence of the cancer that crippled her in adolescence. After her death, Carrère decides to write an oblique tribute and an investigation into the ravages of grief. He focuses first on Juliette's colleague and intimate friend Étienne, himself an amputee and survivor of childhood cancer, and a man in whose talkativeness and strength Carrère sees parallels to himself ("He liked to talk about himself. It's my way, he said, of talking to and about others, and he remarked astutely that it was my way, too”). Étienne is a perceptive, dignified person and a loyal, loving friend, and Carrère's portrait of him—including an unexpectedly fascinating foray into Étienne and Juliette's chief professional accomplishment, which was to tap the new European courts for help in overturning longtime French precedents that advantaged credit-card companies over small borrowers—is impressive. Less successful is Carrère's account of Juliette's widower, Patrice, an unworldly cartoonist whom he admires for his fortitude but seems to consider something of a simpleton. Now and again, especially in the Étienne sections, Carrère's meditations pay off in fresh, pungent insights, and his account of Juliette's last days and of the aftermath (especially for her daughters) is quietly harrowing.Pub Date: Sept. 13, 2011
ISBN: 978-0-8050-9261-5
Page Count: 256
Publisher: Metropolitan/Henry Holt
Review Posted Online: Aug. 10, 2011
Kirkus Reviews Issue: Sept. 1, 2011
If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.
The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.
Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.
If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.Pub Date: Sept. 1, 1998
ISBN: 0-670-88146-5
Page Count: 430
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1998
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