The Venetian Renaissance painter Tintoretto had a daughter named Marietta, whom he dressed in boy’s clothing so she could accompany him freely. In this story, Marietta loves her father’s gift of a box of paints, brushes, and chalks. A sea captain comes to Tintoretto to have his portrait painted, and Marietta notices the captain’s slave boy, Piero, sketching on the street below. The two discover their mutual delight in drawing, but Marietta realizes that Piero will never have a chance to be an artist if he sets sail again. So she gives him her paint box and her boat so he can return to his family. East’s beautiful paintings range from near-photographic representations of the streets and canals of Venice to dreamlike visions where Marietta and Piero’s faces glow in a luminous landscape of ships, flora, and fauna. Piero is an invention, but Marietta was real, an accomplished artist who died in childbirth at age 34. A fanciful and romantic story, vibrantly painted, providing children an opportunity to think about the making of art, the making of gender roles, and the making of history. (author’s note) (Picture book. 7-10)
Pub Date: May 1, 2003
ISBN: 1-55041-801-7
Page Count: 32
Publisher: Fitzhenry & Whiteside
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2003
Trickling, bubbling, swirling, rushing, a river flows down from its mountain beginnings, past peaceful country and bustling city on its way to the sea. Hooper (The Drop in My Drink, 1998, etc.) artfully evokes the water’s changing character as it transforms from “milky-cold / rattling-bold” to a wide, slow “sliding past mudflats / looping through marshes” to the end of its journey. Willey, best known for illustrating Geraldine McCaughrean’s spectacular folk-tale collections, contributes finely detailed scenes crafted in shimmering, intricate blues and greens, capturing mountain’s chill, the bucolic serenity of passing pastures, and a sense of mystery in the water’s shadowy depths. Though Hooper refers to “the cans and cartons / and bits of old wood” being swept along, there’s no direct conservation agenda here (for that, see Debby Atwell’s River, 1999), just appreciation for the river’s beauty and being. (Picture book/nonfiction. 7-9)
Pub Date: June 1, 2000
ISBN: 0-7636-0792-4
Page Count: 32
Publisher: Candlewick
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 2000
An uncomplicated opener, with some funny bits and a clear but not heavy agenda.
Hank Zipzer, poster boy for dyslexic middle graders everywhere, stars in a new prequel series highlighting second-grade trials and triumphs.
Hank’s hopes of playing Aqua Fly, a comic-book character, in the upcoming class play founder when, despite plenty of coaching and preparation, he freezes up during tryouts. He is not particularly comforted when his sympathetic teacher adds a nonspeaking role as a bookmark to the play just for him. Following the pattern laid down in his previous appearances as an older child, he gets plenty of help and support from understanding friends (including Ashley Wong, a new apartment-house neighbor). He even manages to turn lemons into lemonade with a quick bit of improv when Nick “the Tick” McKelty, the sneering classmate who took his preferred role, blanks on his lines during the performance. As the aforementioned bully not only chokes in the clutch and gets a demeaning nickname, but is fat, boastful and eats like a pig, the authors’ sensitivity is rather one-sided. Still, Hank has a winning way of bouncing back from adversity, and like the frequent black-and-white line-and-wash drawings, the typeface is designed with easy legibility in mind.
An uncomplicated opener, with some funny bits and a clear but not heavy agenda. (Fiction. 7-9)Pub Date: Feb. 14, 2014
ISBN: 978-0-448-48239-2
Page Count: 128
Publisher: Grosset & Dunlap
Review Posted Online: Dec. 10, 2013
Kirkus Reviews Issue: Jan. 1, 2014
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