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I KNOW THE RIVER LOVES ME/YO SÉ QUE EL RÍO ME AMA

In sweeping lyrical prose—in both English and Spanish—a little girl describes her special relationship with the river she loves, which loves her in return. The river keeps the little girl’s smiling reflection, sings her name in the rushing waters and cools her down when she jumps in to swim. The little girl is careful to only leave behind what truly belongs in the river’s waters; as she states, “The river takes care of me and I take care of the river.” Double-page spreads of aqua-blue ribbons of waves populated with green fish and frogs against a crisp white background envelop a black-and-white–outlined Latina girl with flowing, long dark hair. The author’s love and respect for the natural beauty and rhythm of the river and how it sustains her through quiet and vibrant moods is vividly portrayed in both her words and paintings. “I watch her change like me. / In the winter, she is low and quiet. / In the summer, she is full and loud.” Inspiring and peacefully thought-provoking. (Picture book. 5-8)

Pub Date: Sept. 1, 2009

ISBN: 978-0-89239-233-9

Page Count: 24

Publisher: Children's Book Press

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 2009

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BERRY MAGIC

Sloat collaborates with Huffman, a Yu’pik storyteller, to infuse a traditional “origins” tale with the joy of creating. Hearing the old women of her village grumble that they have only tasteless crowberries for the fall feast’s akutaq—described as “Eskimo ice cream,” though the recipe at the end includes mixing in shredded fish and lard—young Anana carefully fashions three dolls, then sings and dances them to life. Away they bound, to cover the hills with cranberries, blueberries, and salmonberries. Sloat dresses her smiling figures in mixes of furs and brightly patterned garb, and sends them tumbling exuberantly through grassy tundra scenes as wildlife large and small gathers to look on. Despite obtrusively inserted pronunciations for Yu’pik words in the text, young readers will be captivated by the action, and by Anana’s infectious delight. (Picture book/folktale. 6-8)

Pub Date: June 1, 2004

ISBN: 0-88240-575-6

Page Count: 32

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 2004

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THE STREET BENEATH MY FEET

An unusual offering for the young geology nerd.

This British import is an imaginatively constructed sequence of images that show a white boy examining a city pavement, clearly in London, and the sights he would see if he were able to travel down to the Earth’s core and then back again to the surface.

The geologic layers are depicted in 10 vertical spreads that require a 90-degree turn to be read and include endpapers, which open out, concertina fashion, to show the interior of the Earth to its core. Beneath the urban setting are drains, pipes, and artifacts of urban infrastructure. Below that, archaeological relics are revealed. An Underground train speeds by, and below it, a stalactite-encrusted cave yawns. Deep below the Earth’s crust, magma, the Earth’s mantle, and the inner core are shown. Turn the page to start going up again, back through the mantle to the crust, where precious minerals are revealed, then fossils, tree roots, and animal burrows, ending with the same boy in the English countryside. The painted, stenciled, and collaged illustrations are full-bleed, and the tones graduate pleasantly from light colors at the surface of the Earth to rich pinks, yellows, and oranges as readers near the Earth’s core. The text is informative, if lacking in poetry, including such nuggets as “earthworms are expert recyclers, eating dead plants in the soil.”

An unusual offering for the young geology nerd. (Informational picture book. 5-8)

Pub Date: May 1, 2017

ISBN: 978-1-68297-136-9

Page Count: 20

Publisher: Words & Pictures

Review Posted Online: March 5, 2017

Kirkus Reviews Issue: March 15, 2017

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