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LADY CLAIRE IS ALL THAT

For Austenites with a yen for a hero who is humbled into good sense and a heroine who learns to value sensibility.

Love blooms unexpectedly when an American arrival to Regency London becomes a pawn in a bet between two ne'er-do-well aristocrats.

In yet another variation on Bernard Shaw's Pygmalion, Rodale (Chasing Lady Amelia, 2016, etc.) continues to relate the antics of the Cavendish siblings by focusing on the eldest sister, the nerdy Lady Claire. A mathematician by inclination (and unorthodox American upbringing), Claire is less interested in being launched into snobbish society than in attending lectures at the Royal Society. Maximilian Frederick DeVere, Lord Fox, a marquess who has recently been jilted, is looking to salvage his pride and public image as a bon vivant. When an envious friend challenges him to prove his prowess in wooing any woman and making her the toast of the ton—specifically one so hapless as the bespectacled bluestocking—he accepts despite some niggling doubts. Initially, Claire is suspicious of his interest but is willing to use his upper-class connections to gain entree into lofty mathematical circles. As the acquaintance deepens, she finds that his robust body and good looks provide an unexpected avenue for other, nonintellectual, pursuits. Anyone familiar with Hollywood's adaptations of Shaw knows what will unfold, but despite the well-known framing device, Claire and Fox get to have their own pleasures, quirks, and grievances within the assigned roles. In accordance with the nod to reality television suggested by the series' title, Keeping Up With the Cavendishes, Claire's family's shenanigans provide an entertaining, albeit somewhat unbelievable, backdrop to the developing relationship. (All the siblings' narratives unfold simultaneously, so those familiar with the previous installments of the series will recognize moments key to other characters' stories.)

For Austenites with a yen for a hero who is humbled into good sense and a heroine who learns to value sensibility.

Pub Date: Dec. 27, 2016

ISBN: 978-0-06-238678-6

Page Count: 384

Publisher: Avon/HarperCollins

Review Posted Online: Oct. 18, 2016

Kirkus Reviews Issue: Nov. 1, 2016

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ONE DAY IN DECEMBER

Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an...

True love flares between two people, but they find that circumstances always impede it.

On a winter day in London, Laurie spots Jack from her bus home and he sparks a feeling in her so deep that she spends the next year searching for him. Her roommate and best friend, Sarah, is the perfect wing-woman but ultimately—and unknowingly—ends the search by finding Jack and falling for him herself. Laurie’s hasty decision not to tell Sarah is the second painful missed opportunity (after not getting off the bus), but Sarah’s happiness is so important to Laurie that she dedicates ample energy into retraining her heart not to love Jack. Laurie is misguided, but her effort and loyalty spring from a true heart, and she considers her project mostly successful. Perhaps she would have total success, but the fact of the matter is that Jack feels the same deep connection to Laurie. His reasons for not acting on them are less admirable: He likes Sarah and she’s the total package; why would he give that up just because every time he and Laurie have enough time together (and just enough alcohol) they nearly fall into each other’s arms? Laurie finally begins to move on, creating a mostly satisfying life for herself, whereas Jack’s inability to be genuine tortures him and turns him into an ever bigger jerk. Patriarchy—it hurts men, too! There’s no question where the book is going, but the pacing is just right, the tone warm, and the characters sympathetic, even when making dumb decisions.

Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an emotional, satisfying read.

Pub Date: Oct. 16, 2018

ISBN: 978-0-525-57468-2

Page Count: 400

Publisher: Crown

Review Posted Online: July 30, 2018

Kirkus Reviews Issue: Aug. 15, 2018

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HOMEPORT

To her usual mix of love, mystery, and passion, Roberts (Sanctuary, 1997, etc.)—author of 115 romancers in some 17 years—adds Renaissance art and a decidedly Medici-like family: the Joneses of Maine. Dr. Miranda Jones, nearly six feet with flaming red hair and a glacial reserve, is an archeometrist who specializes in the analyzing and dating of Renaissance bronze sculpture. Miranda hopes to secure a world-class reputation for herself by authenticating a 15th-century statue of the Dark Lady, one of the mistresses of Lorenzo the Magnificent, as the undiscovered work of a young Michelangelo. Miranda's mother, Dr. Elizabeth Standford-Jones, the emotionally remote director of the Standjo art lab in Florence, has summoned her daughter from the family's Victorian cliffside home in Jones Point, Maine, to test the statue. Meanwhile, Miranda's father, equally remote, is an archaeologist who spends more time at his digs than at home. In fact, no one in the Jones family has made a successful run at marriage, a failure that Miranda and her alcoholic brother Andrew call the Jones curse. As for the statue, when it's discovered to be a fake, Miranda sets out to prove that someone stole the original. In this she's helped by gorgeous art thief Ryan Boldari (half-Italian, half-Irish), who's come to Jones Point to steal yet another bronze, which also turns out to be a forgery. Ryan's plan had been to use Miranda as a pawn, but now, naturally, he finds himself falling hard for her. While the two search for bronzes, a standard-issue romance-novel psychotic is stalking them. Most readers will twig to the killer's identity: Here, as always, Roberts's sexual tension is more compelling than her suspense. Perhaps it's time to take a sabbatical from the pink sweatshop and turn her considerable wit and narrative skills to a more original piece of work.

Pub Date: March 23, 1998

ISBN: 0-399-14387-4

Page Count: 464

Publisher: Putnam

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 1998

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