Completely satisfying and delightful.
When New York society’s infamous ugly duckling is forced into an engagement with a Gilded Age Prince Charming, they join forces to save themselves from each other and soon realize they make an outstanding team.
As a “gawky, ungainly girl of thirteen,” Daisy Swan was dubbed Ugly Duck Daisy by beautiful Theodore Prescott the Third, Manhattan’s favorite heir. The horrible nickname stuck, cementing Daisy’s outcast status, so she’s horrified to learn her mother expects her to marry him. Daisy’s been looking forward to spinsterhood and living a life of independence, launching a business around the complexion cream she’s developed using her chemistry degree from Barnard College. However, after a particularly embarrassing scandal, Theo’s father, a celebrated tycoon, decides marriage to a sensible girl will rein in his restless son. Theo and Daisy meet, express their shared abhorrence for each other, then conspire to launch Daisy’s product, hoping for financial freedom so they won’t have to marry. Despite his wastrel reputation, Theo has always wanted to prove himself somehow, and it turns out he’s very talented at marketing. Using his packaging ideas and advertising copy, the complexion cream is an instant success and leads to more business ideas. Meanwhile, working together forces them to look beyond the surface and uncovers a surprising attraction, making them question whether they actually want to cancel the wedding. Scandal rises again, from an unexpected source, and as social and familial pressures change, suddenly being together is the challenge. Rodale’s (Duchess by Design, 2018, etc.) second Gilded Age Girls Club title hits the romance sweet spot with an uplifting, empowering love story that underlines the point that the best adventures happen not when the prince saves the princess, but when two people bring out the best in each other, fall in love, and change the world in the process.
Completely satisfying and delightful.Pub Date: June 18, 2019
ISBN: 978-0-06-283883-4
Page Count: 368
Publisher: Avon/HarperCollins
Review Posted Online: May 26, 2019
Kirkus Reviews Issue: June 15, 2019
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While Liv’s more pedestrian story is less romantic than Sophie’s and far less nuanced, Moyes is a born storyteller who makes...
The newest novel by Moyes (Me Before You, 2012, etc.) shares its title with a fictional painting that serves as catalyst in linking two love stories, one set in occupied France during World War I, the other in 21st-century London.
In a French village in 1916, Sophie is helping the family while her husband, Édouard, an artist who studied with Matisse, is off fighting. Sophie’s pluck in standing up to the new German kommandant in the village draws his interest. An art lover, he also notices Édouard's portrait of Sophie, which captures her essence (and the kommandant's adoration). Arranging to dine regularly at Sophie’s inn with his men, he begins a cat-and-mouse courtship. She resists. But learning that Édouard is being held in a particularly harsh “reprisal” camp, she must decide what she will sacrifice for Édouard’s freedom. The rich portrayals of Sophie, her family and neighbors hauntingly capture wartime’s gray morality. Cut to 2006 and a different moral puzzle. Thirty-two-year-old widow Liv has been struggling financially and emotionally since her husband David’s sudden death. She meets Paul in a bar after her purse is stolen. The divorced father is the first man she’s been drawn to since she was widowed. They spend a glorious night together, but after noticing Édouard's portrait of Sophie on Liv’s wall, he rushes away with no explanation. In fact, Paul is as smitten as Liv, but his career is finding and returning stolen art to the rightful owners. Usually the artwork was confiscated by Germans during World War II, not WWI, but Édouard's descendants recently hired him to find this very painting. Liv is not about to part with it; David bought it on their honeymoon because the portrait reminded him of Liv. In love, Liv and Paul soon find themselves on opposite sides of a legal battle.
While Liv’s more pedestrian story is less romantic than Sophie’s and far less nuanced, Moyes is a born storyteller who makes it impossible not to care about her heroines.Pub Date: Aug. 20, 2013
ISBN: 978-0-670-02661-6
Page Count: 384
Publisher: Pamela Dorman/Viking
Review Posted Online: July 17, 2013
Kirkus Reviews Issue: Aug. 1, 2013
Like a popcorn action flick: fun but lacking in substance.
Two wolf shifters must catch a criminal in the midst of hazardous winter weather: Action, adventure, and romance kick off a new series by Spear (Falling for the Cougar, 2019, etc.).
Private Investigator Nicole Grayson has an edge that some of her colleagues don’t. She’s a gray wolf shifter, and her heightened sense of smell makes for excellent tracking abilities. When her latest assignment, investigating a fraudulent life insurance claim, leads her to an isolated ski lodge inhabited by a group of shifter brothers, Nicole realizes that this particular mission is different. Blake Wolff has finally found peace and quiet, as he and his brothers have turned their land into a sanctuary for wolf shifters like themselves. When Nicole turns up at the lodge, sniffing around and looking for answers, Blake volunteers to help. The sooner she wraps up her investigation, the sooner Blake can return to maintaining the calm community the Wolff siblings have built. The suspense never fully delivers despite the setup of dangerous situations and the characters’ ability to shift into wolves. Of course, the bad guys get caught and the good guys prevail, but the stakes never seem terribly high. With corny, on-the-nose details such as having Wolff and Grayson as surnames for gray wolf shifters, it's hard to tell if Spear is in on the joke or if some things sounded better in theory than reality. The brightest spot here, as in most of Spears’ books, is her dedication to writing strong heroines with interesting professions, and Nicole fits perfectly into that box. She’s capable, competent, and a force to be reckoned with in a difficult situation. Blake is happy to let her take the lead without any egos getting in the way, which is something all readers will appreciate.
Like a popcorn action flick: fun but lacking in substance.Pub Date: Feb. 25, 2020
ISBN: 978-1-4926-9775-6
Page Count: 384
Publisher: Sourcebooks Casablanca
Review Posted Online: Jan. 12, 2020
Kirkus Reviews Issue: Feb. 1, 2020
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