An insightful, funny, and realistic coming-of-age story.
During the summer before high school, a nominally Catholic teen finds that she can relate to martyred saints.
Dolores Mendoza’s family is struggling financially, and her parents’ marriage is imploding. A year ago, she was diagnosed with interstitial cystitis after a bladder accident made her a pariah. Then Mexican American Dolores meets Terpsichore Berkenbosch-Jones, who is autistic and reads white. Terpsichore wants to fake a friendship to prove to her helicopter mom that she’s capable of attending public school and can stop home schooling. The answer to their problems seems clear: Dolores will win back her former best friend, and Terpsichore will win her independence. What could go wrong? Dolores’ chronic illness frequently causes trouble for herself, and a vein of wry humor and dramatics runs through her everyday interactions. Her creative first-person narration includes transcripts from her confessional conversations with a priest, mock telenovela scripts (complete with scene directions), and her reviews of local bathrooms. Dolores is in an ongoing standoff with her illness and comes to no pat resolutions about her body, instead approaching her illness in a way that feels true to her character and to being 14. Self-actualized and incisive Terpsichore’s journey and the girls’ increasingly non-fake friendship feel earned, and the affectionately combative dynamics between the Mendoza family, in particular between Dolores and her Tía Vera and older brother Mateo, are strong.
An insightful, funny, and realistic coming-of-age story. (author's note) (Fiction. 12-18)Pub Date: March 26, 2024
ISBN: 9780525426820
Page Count: 320
Publisher: Dutton
Review Posted Online: Jan. 5, 2024
Kirkus Reviews Issue: Feb. 1, 2024
BOOK REVIEW
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
Exactly what the title promises.
A grieving teen’s devotion to romance films might ruin her chances at actual romance.
Liz Buxbaum has always adored rom-coms, not least for helping her still feel close to her screenwriter mother, who died when she was little. Liz hopes that her senior year might turn into a real-life romantic fantasy, as an old crush has moved back to town, cuter and nicer than ever. Surely she can get Michael to ask her to prom. If only Wes, the annoying boy next door, would help her with her scheming! This charming, fluffy concoction manages to pack into one goofy plot every conceivable trope, from fake dating to the makeover to the big misunderstanding. Creative, quirky, daydreaming Liz is just shy of an annoying stereotype, saved by a dry wit and unresolved grief and anger. Wes makes for a delightful bad boy with a good heart, and supporting characters—including a sassy best friend, a perfect popular rival, even a (not really) evil stepmother—all get the opportunity to transcend their roles. The only villain here is Liz’s lovelorn imagination, provoking her into foolish lies that cause actual hurt feelings; but she is sufficiently self-aware to make amends just in time for the most important trope of all: a blissfully happy ending. All characters seem to be White by default.
Exactly what the title promises. (Romance. 12-18)Pub Date: May 4, 2021
ISBN: 978-1-5344-6762-0
Page Count: 368
Publisher: Simon & Schuster
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK TO SCREEN
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