Fans of Top Chef won’t be able to resist a taste of this culinary drama.

SALTY, BITTER, SWEET

Isabella Fields is a teen chef with aspirations of becoming world-renowned.

Incredibly, Isa is the only American selected to participate in an elite international summer cooking program that could lead to a life-changing apprenticeship in a famed French restaurant. Isa, who speaks French thanks to her French mother, knows that her performance will be the key to realizing her biggest dreams, and she refuses to let sadness over the death of her Cuban abuela, the divorce of her parents, and her new stepmom’s pregnancy sidetrack her. When a handsome and infuriating new houseguest adds even more stress to her life, Isa struggles to stay focused on her goal of kitchen perfection. The course begins, and Isa finds herself jockeying for the top spot against 14 other young gourmets while grappling with her own complex identity and confronting her grief. The high-intensity cooking competition brings out Isa’s deepest anxieties and tests her friendships. The author uses these trials to call out the male-dominated, cutthroat culture of the restaurant industry and the need for women to support one another. Isa’s mouthwatering descriptions of the dishes she’s preparing and tasting will appeal to both hardcore foodies and the casual eater. Sumptuous European settings and a delicious romance create a satisfying recipe.

Fans of Top Chef won’t be able to resist a taste of this culinary drama. (author's note, food glossary) (Fiction. 13-18)

Pub Date: March 3, 2020

ISBN: 978-0-310-76977-4

Page Count: 320

Publisher: Blink

Review Posted Online: April 8, 2020

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Engrossing, contemplative, and as heart-wrenching as the title promises.

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THEY BOTH DIE AT THE END

What would you do with one day left to live?

In an alternate present, a company named Death-Cast calls Deckers—people who will die within the coming day—to inform them of their impending deaths, though not how they will happen. The End Day call comes for two teenagers living in New York City: Puerto Rican Mateo and bisexual Cuban-American foster kid Rufus. Rufus needs company after a violent act puts cops on his tail and lands his friends in jail; Mateo wants someone to push him past his comfort zone after a lifetime of playing it safe. The two meet through Last Friend, an app that connects lonely Deckers (one of many ways in which Death-Cast influences social media). Mateo and Rufus set out to seize the day together in their final hours, during which their deepening friendship blossoms into something more. Present-tense chapters, short and time-stamped, primarily feature the protagonists’ distinctive first-person narrations. Fleeting third-person chapters give windows into the lives of other characters they encounter, underscoring how even a tiny action can change the course of someone else’s life. It’s another standout from Silvera (History Is All You Left Me, 2017, etc.), who here grapples gracefully with heavy questions about death and the meaning of a life well-lived.

Engrossing, contemplative, and as heart-wrenching as the title promises. (Speculative fiction. 13-adult).

Pub Date: Sept. 5, 2017

ISBN: 978-0-06-245779-0

Page Count: 384

Publisher: HarperTeen

Review Posted Online: June 5, 2017

Kirkus Reviews Issue: June 15, 2017

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This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.

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GIRL IN PIECES

After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.

Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.

This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)

Pub Date: Aug. 30, 2016

ISBN: 978-1-101-93471-5

Page Count: 416

Publisher: Delacorte

Review Posted Online: May 4, 2016

Kirkus Reviews Issue: May 15, 2016

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