A haunting, powerful, and crucial tale of culture and identity.
A young girl turns to her family members to help her answer the question, “Why isn’t Palestine on the map?”
Falasteen and her schoolmates sit around a world map searching for their countries of origin. When Falasteen asks why she can’t find Palestine, her teacher responds, “I think there’s no such place.” A concerned Falasteen goes home after school, eager for answers. Her grandfather, grandmother, and mother each provide a response that tells her family’s story and strengthens her sense of identity. Drawing inspiration from her own grandmother’s experience of displacement in 1967, the author tells a poignant story of longing and sadness mixed with a persistent hope for a return to a historic homeland and reunification with family. The book is notable for both its honesty and its sensitivity on the topics of “settler colonialism” (a term defined in the backmatter) and expulsion. Incorporating cultural touchstones such as spinach pies and the winding branches of olive trees, Betawi’s delicately beautiful illustrations evoke nostalgia for a place dear to Falasteen and her family’s hearts. Odeh walks a fine line, framing her story in a way that young readers will readily understand while never sugarcoating difficult realities. Her book fills a gap in representations of the Palestinian diaspora, offering a much-needed insider’s perspective. The author’s note provides vital personal and historical context, making this an invaluable teaching tool.
A haunting, powerful, and crucial tale of culture and identity. (resources for adults) (Picture book. 5-10)Pub Date: Oct. 22, 2024
ISBN: 9781250896704
Page Count: 40
Publisher: Henry Holt
Review Posted Online: July 4, 2024
Kirkus Reviews Issue: Aug. 1, 2024
BOOK REVIEW
PERSPECTIVES
It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.
How to raise money for a coveted poster: put your friends to work!
John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)
It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)Pub Date: March 21, 2023
ISBN: 978-0-593-56727-2
Page Count: 40
Publisher: Random House
Review Posted Online: Dec. 13, 2022
Kirkus Reviews Issue: Jan. 1, 2023
Another empowering outing led by a dynamic young role model.
The third title in the Ambitious Girl series finds young Maya wanting accomplished women to get their due.
On a school trip to Washington, D.C., brown-skinned, bubble-braided Maya is full of questions, among them “How many representatives are there?” and, while checking out the statues and monuments, “Where are all the women?” Maya’s teacher tells her that they’ve seen all the “popular” statues and monuments. Maya is as dogged (“But what about Eleanor Roosevelt? Or Mary McLeod Bethune?”) as her teacher is dismissive: “Those aren’t on my list.” (Maya’s teacher follows the same list every trip.) Back at home, Maya is newly awakened to the lack of female representation in her orbit—she notices that streets and “even her own school” are named for men. Is there anything she can do about this? Maya’s teacher’s cluelessness feels a bit implausible, more like a plot device to steer the story in the right direction, but Maya’s righteous indignation is believable, and her corresponding activism will energize readers. Valdez gets into the spirit of things with her invigorating digital art: Maya and her multiethnic classmates and neighbors are colorful dressers with smiling faces, which fosters a sense that wherever Maya goes, a warm and ebullient community is there for her.
Another empowering outing led by a dynamic young role model. (Picture book. 5-8)Pub Date: Feb. 3, 2026
ISBN: 9780316561341
Page Count: 40
Publisher: Little, Brown
Review Posted Online: Sept. 27, 2025
Kirkus Reviews Issue: Nov. 1, 2025
BOOK REVIEW
BOOK REVIEW
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