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YOUR DRUG MAY BE YOUR PROBLEM

HOW AND WHY TO STOP TAKING PSYCHIATRIC MEDICATIONS

Although the author goes overboard in arguing against the use of any psychiatric medications, this guide nonetheless raises worthwhile, challenging questions about inappropriate and excessive medicating. It also offers sound, careful—and hard to come by—guidelines on how to safely discontinue the various meds. Psychiatrist Breggin (Toxic Psychiatry, 1991, etc.) and Cohen, a social work professor at the University of Montreal, feel strongly that psychiatric medication is overprescribed and misused, partly as a result of marketing efforts by pharmaceutical companies. The basic question they pose is “What are our ultimate resources in life—the places and persons to whom we turn for help, direction, and inspiration?” Faith, connection with others, creative outlets, enjoyment of nature, and physical activity are among the available appropriate resources to encourage personal growth. But instead, the authors argue, more and more people are relying on “a psychoactive or mind-altering substance.” Since we have an extremely limited understanding of brain function, they further point out, we have only a vague notion of how these medications work. And in the authors’ experience, suppressing feelings and estranging patients from their own emotions seriously hinders therapy. Brogan and Cohen alert readers to the long list of side effects of such drugs, and set out stringent recommendations for discontinuing them (too rapid a withdrawal can cause very serious medical problems). Overall, these are thought-provoking, generally well-based arguments, coupled with valuable advice.

Pub Date: Sept. 1, 1999

ISBN: 0-7382-0184-7

Page Count: 320

Publisher: Perseus

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 1999

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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