A memoir by Alexander (Nampally Road, 1990), tracing her life from childhood in India through youth and education in Africa and England to marriage and motherhood in Manhattan. Alexander's desire to overcome the ``torment'' of her ``multiple migrations'' in order to tell her story, however, is undercut by overwriting and an oceanic sentimentality. Beginning the story of her life with the story of this book's writing—an editor's pitch in an Upper West Side cafe; sleepless nights in the author's apartment spent assembling the ``fragments of a broken geography''—Alexander weaves back and forth between present and past, mixing metaphors and memories with abandon. ``I sit here writing, for I know that time does not come fluid and whole into my trembling hands. All that is here comes piecemeal, though sometimes the joints have fallen into place miraculously, as if the heavens had opened and mango trees fruited in the rough asphalt of upper Broadway.'' Born in 1951, the first of three daughters of a meteorologist, Alexander was raised in southern India before her father was transferred to the Sudan when she was five. From her summer visits back to her ancestral home, Alexander reconstructs her childhood idyll: There are her adoring and wise maternal grandfather in his garden of mango trees and cashews; her shrewd but affection old ayah (nanny); and the self-contained, genteel world of the joint family household. Forays into the social and political issues raised by postcolonialism and feminism occur throughout the text, but Alexander focuses on her own cultural identity crisis as metaphor for them. In her decision to wear a sari one day and a pair of jeans the next, she implicates the future of cultural difference and the integrity of the nation state. Alexander's view of herself as a sociopolitical microcosm seems far-fetched and self-absorbed; as a result, what might have been a revealing memoir remains a carelessly crafted reverie. (Photographs—not seen.)
Pub Date: April 1, 1993
ISBN: 1-55861-058-8
Page Count: 240
Publisher: Feminist Press
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Feb. 1, 1993
BOOK REVIEW
A sharply different deconstruction of the prevailing orthodoxy, worthy of attention.
Leverett (International Affairs/Pennsylvania State Univ.; Inheriting Syria: Bashir's Trial by Fire, 2005) and his wife, Hillary, argue that, unless it changes, “the United States’ Iran policy is locked in a trajectory…that will ultimately lead to war.”
The authors take on what they identify as “a powerful mythology” that continues to influence U.S. policy toward the Islamic Republic—primarily, the proposition that because it is unpopular, the regime “is in imminent danger of being overthrown.” They offer an alternative to the prevailing view that Khomeini and his supporters hijacked the liberal revolution that began in 1978 and “betrayed the aspirations of those who actually carried out the campaign that deposed the shah.” The Leveretts take issue with American policymakers who propose that the U.S. should advocate the overthrow of the present regime in favor of liberal democracy. They believe in the possibility of negotiating with the present regime. The authors dispute the view that the mullahs have done nothing for the population and lack support, showing how literacy, health and medical care have been upgraded and the economy developed. They highlight present concerns about the Iranian nuclear program, which they claim are exaggerated. They identify the continuing influence of the neoconservatives, who brought about the second Iraq war, and “liberal internationalists,” who are ready to deploy military force in support of human rights. They believe that the time has come for an initiative like Nixon's visit to Beijing to begin a change in course.
A sharply different deconstruction of the prevailing orthodoxy, worthy of attention.Pub Date: Jan. 8, 2013
ISBN: 978-0-8050-9419-0
Page Count: 496
Publisher: Metropolitan/Henry Holt
Review Posted Online: Oct. 6, 2012
Kirkus Reviews Issue: Nov. 1, 2012
A potent depiction of grief, but also a book lacking the originality and acerbic prose that distinguished Didion’s earlier...
A moving record of Didion’s effort to survive the death of her husband and the near-fatal illness of her only daughter.
In late December 2003, Didion (Where I Was From, 2003, etc.) saw her daughter, Quintana Roo Dunne, hospitalized with a severe case of pneumonia, the lingering effects of which would threaten the young woman’s life for several months to come. As her daughter struggled in a New York ICU, Didion’s husband, John Gregory Dunne, suffered a massive heart attack and died on the night of December 30, 2003. For 40 years, Didion and Dunne shared their lives and work in a marriage of remarkable intimacy and endurance. In the wake of Dunne’s death, Didion found herself unable to accept her loss. By “magical thinking,” Didion refers to the ruses of self-deception through which the bereaved seek to shield themselves from grief—being unwilling, for example, to donate a dead husband’s clothes because of the tacit awareness that it would mean acknowledging his final departure. As a poignant and ultimately doomed effort to deny reality through fiction, that magical thinking has much in common with the delusions Didion has chronicled in her several previous collections of essays. But perhaps because it is a work of such intense personal emotion, this memoir lacks the mordant bite of her earlier work. In the classics Slouching Toward Bethlehem (1968) and The White Album (1979), Didion linked her personal anxieties to her withering dissection of a misguided culture prey to its own self-gratifying fantasies. This latest work concentrates almost entirely on the author’s personal suffering and confusion—even her husband and daughter make but fleeting appearances—without connecting them to the larger public delusions that have been her special terrain.
A potent depiction of grief, but also a book lacking the originality and acerbic prose that distinguished Didion’s earlier writing.Pub Date: Oct. 19, 2005
ISBN: 1-4000-4314-X
Page Count: 192
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2005
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