by Meera Sriram ; illustrated by Meera Sethi ‧ RELEASE DATE: March 12, 2019
A thoughtful story that artfully addresses the loss of a grandparent from an immigrant perspective.
A young girl goes back to India to visit her grandmother’s house after her death.
Debut author Sriram shares a poignant story based on her daughter’s personal experience. Young Asha travels with her family from the United States to her grandma’s house in India, towing her favorite yellow suitcase. Everything looks familiar in India, except her grandma is not there. But the house is full of other people, both relatives and people she doesn’t recognize, and they’re all talking about Grandma. Asha reminisces how she always carried gifts for her grandma in her yellow suitcase and how her grandma always showered her with gifts to carry back to America. When she asks her father if she’ll ever see her grandma again, he cries. Asha doesn’t quite know how to deal with her grandmother’s death and responds with aloof moodiness. Two weeks go by, and just as she is about to leave India, she realizes her grandmother left behind a special surprise for her. This immigrant narrative beautifully captures the emotions of loss, love, and belonging that the little girl experiences, embedding readers in Asha’s developmentally spot-on perspective. The illustrations, done in a pastel palette and flat perspective, reveal authentic snapshots of India, though the characters feel stiff at times, which may limit their appeal.
A thoughtful story that artfully addresses the loss of a grandparent from an immigrant perspective. (Picture book. 5-8)Pub Date: March 12, 2019
ISBN: 978-0-9996584-1-3
Page Count: 40
Publisher: Penny Candy
Review Posted Online: Dec. 4, 2018
Kirkus Reviews Issue: Jan. 1, 2019
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by Matthew McConaughey illustrated by Renée Kurilla ‧ RELEASE DATE: Sept. 12, 2023
Charming and thought-provoking proof that we all contain multitudes.
Oscar winner McConaughey offers intriguing life observations.
The series of pithy, wry comments, each starting with the phrase “Just because,” makes clear that each of us is a mass of contradictions: “Just because we’re friends, / doesn’t mean you can’t burn me. / Just because I’m stubborn, / doesn’t mean that you can’t turn me.” Witty, digitally rendered vignettes portray youngsters diverse in terms of race and ability (occasionally with pets looking on) dealing with everything from friendship drama to a nerve-wracking footrace. “Just because I’m dirty, / doesn’t mean I can’t get clean” is paired with an image of a youngster taking a bath while another character (possibly an older sibling) sits nearby, smiling. “Just because you’re nice, / doesn’t mean you can’t get mean” depicts the older one berating the younger one for tracking mud into the house. The artwork effectively brings to life the succinct, rhyming text and will help readers make sense of it. Perhaps, after studying the illustrations and gaining further insight into the comments, kids will reread and reflect upon them further. The final page unites the characters from earlier pages with a reassuring message for readers: “Just because the sun has set, / doesn’t mean it will not rise. / Because every day is a gift, / each one a new surprise. BELIEVE IT.” As a follow-up, readers should be encouraged to make their own suggestions to complete the titular phrase. (This book was reviewed digitally.)
Charming and thought-provoking proof that we all contain multitudes. (Picture book. 5-8)Pub Date: Sept. 12, 2023
ISBN: 9780593622032
Page Count: 32
Publisher: Viking
Review Posted Online: June 8, 2023
Kirkus Reviews Issue: July 1, 2023
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by Dev Petty ; illustrated by Lauren Eldridge ‧ RELEASE DATE: June 20, 2017
The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted...
Reinvention is the name of the game for two blobs of clay.
A blue-eyed gray blob and a brown-eyed brown blob sit side by side, unsure as to what’s going to happen next. The gray anticipates an adventure, while the brown appears apprehensive. A pair of hands descends, and soon, amid a flurry of squishing and prodding and poking and sculpting, a handsome gray wolf and a stately brown owl emerge. The hands disappear, leaving the friends to their own devices. The owl is pleased, but the wolf convinces it that the best is yet to come. An ear pulled here and an extra eye placed there, and before you can shake a carving stick, a spurt of frenetic self-exploration—expressed as a tangled black scribble—reveals a succession of smug hybrid beasts. After all, the opportunity to become a “pig-e-phant” doesn’t come around every day. But the sound of approaching footsteps panics the pair of Picassos. How are they going to “fix [them]selves” on time? Soon a hippopotamus and peacock are staring bug-eyed at a returning pair of astonished hands. The creative naiveté of the “clay mates” is perfectly captured by Petty’s feisty, spot-on dialogue: “This was your idea…and it was a BAD one.” Eldridge’s endearing sculpted images are photographed against the stark white background of an artist’s work table to great effect.
The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted fun of their own . (Picture book. 5-8)Pub Date: June 20, 2017
ISBN: 978-0-316-30311-8
Page Count: 40
Publisher: Little, Brown
Review Posted Online: March 28, 2017
Kirkus Reviews Issue: April 15, 2017
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