Imaginatively stirring and altogether haunting, this one stays with you.
A child imagines, designs, and builds a bird only to let it go and watch it soar through the clouds.
The child—a preteen, with pale skin and tousled brown hair—lives, apparently alone, in an elevated stilt house on a beach. The house stands precariously on tilting legs and is painted, as are many of the landscapes in the book, with a slightly distorted perspective, as if viewed through a fish-eye lens. The child collects tiny, hollow bones and shapes them into a bird; adds feathers; gives the creature a heart, eyes, beak, claws, and a song; and adds “final touches, the way an artist adds her last few brushstrokes, her tiny signature.” In one spread, it appears as if the child could be gently breathing life into the creature. Standing atop the teetering house, the child releases the bird and feels simultaneously “a kind of sadness, a kind of happiness.” The book’s measured pacing builds tension (“Breathe deeply and take your time”) as readers witness the creative artist at work. Observant readers will catch subtle visual details that flesh out more of this lyrical, visually beguiling tale. This story, infused with an ethereal, wondrous tone, is for creative souls everywhere, those who know what it is to imagine something and to experience the joy of bringing it to life with care—and the bittersweet feeling of letting it go and moving on. (This book was reviewed digitally with 10.9-by-20.2-inch double-page spreads viewed at actual size.)
Imaginatively stirring and altogether haunting, this one stays with you. (Picture book. 4-10)Pub Date: April 20, 2021
ISBN: 978-1-5362-1526-7
Page Count: 32
Publisher: Candlewick
Review Posted Online: March 1, 2021
Kirkus Reviews Issue: March 15, 2021
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among
Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.
If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)Pub Date: Sept. 18, 2018
ISBN: 978-0-06-267527-9
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 19, 2018
Kirkus Reviews Issue: Sept. 1, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A charming friendship story and great setup for future books.
Curious about the Big Wide World outside his Sasquatch community, Hugo makes a friend who is of it.
Sasquatch Hugo’s bedroom is inside a cave and possesses the charming feature of a small stream running through it that he can sail his little toy boat on. It’s cool, but he yearns to see the Big Wide World. When he asks his smart friend Gigi if a Sasquatch might become a sailor, she says it’s possible but would be difficult—the primary rule of their people is to not be seen by Humans. Then, in everyone’s favorite Hide and Go Sneak class, which is held outside, a Human appears; Hugo laughs at the sight, drawing Human attention in a taboo-breaking mistake. Shortly after, Hugo’s toy boat floats into the cave with a Human toy—soon, it’s facilitating a pen-pal–type relationship that’s derailed when Hugo confesses to being a Sasquatch and Human Boone, a budding cryptozoologist, doesn’t believe him. How Hugo and Boone resolve this misapprehension and become friends in a joint search for the Ogopogo concludes this series opener. Potter keeps the third-person narrative tightly focused on Hugo’s perspective, and the details she uses to flesh out the Sasquatch world are delightfully playful. Sala’s drawings depict a homey Sasquatch cavern community, Boone as a freckled, white boy, and Hugo as a hairily benevolent behemoth.
A charming friendship story and great setup for future books. (final art unseen) (Fantasy. 5-9)Pub Date: April 10, 2018
ISBN: 978-1-4197-2859-4
Page Count: 144
Publisher: Amulet/Abrams
Review Posted Online: Dec. 10, 2017
Kirkus Reviews Issue: Jan. 15, 2018
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