An unfocused, unamusing story with an unappealing heroine.
About to turn 30, Bostonian Augusta “Gus” Curtis is determined to have a great job, great friends and the perfect man when she hits that daunting milestone.
She’s got the first two covered: She’s a librarian at a small museum, and her friends Amy Lee and Georgia are all a girl could ask for. She was feeling pretty good about the third until she found sweet, adorable Nate kissing Helen, her onetime college roommate and a perennial It Girl. Convinced nevertheless that she and Nate are meant to be together, Gus sets out to get him back. Her plan is complicated by the fact that Helen seems to be stalking her, and by her annoying new tendency to hook up with Henry, Nate’s exasperating, patrician and undeniably hot roommate. Crane (Everyone Else’s Girl, 2005, etc.) is trying to do a lot here, and the result is a novel that is at once too much and not enough. Her treatment of Gus’s obsession with Nate will be uncomfortably familiar to anyone who’s ever succumbed to hopeless love, but Crane barely scratches the surface of that plotline. The “frenemy” concept seems like more of a marketing hook than a meaningful narrative device, since Helen and Gus were never exactly close. Helen does not, for example, use her relationship with Gus to get with Nate, and Gus is more offended in principle than actually wounded when Helen steals her man. And the romance between Gus and Henry is tiresome and unconvincing. With her reluctant lovers, Crane strives for romantic comedy of the Howard Hawks variety; in fact, a great sense of humor is supposed to be one of Gus’s most attractive attributes. But the sparring never zings—“Shut up, Henry!” is this novel’s idea of repartee—and Gus emerges not as a great wit but, rather, as a witless jerk.
An unfocused, unamusing story with an unappealing heroine.Pub Date: June 20, 2007
ISBN: 978-0-446-69855-9
Page Count: 304
Publisher: 5 Spot/Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2007
BOOK REVIEW
BOOK REVIEW
Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an...
True love flares between two people, but they find that circumstances always impede it.
On a winter day in London, Laurie spots Jack from her bus home and he sparks a feeling in her so deep that she spends the next year searching for him. Her roommate and best friend, Sarah, is the perfect wing-woman but ultimately—and unknowingly—ends the search by finding Jack and falling for him herself. Laurie’s hasty decision not to tell Sarah is the second painful missed opportunity (after not getting off the bus), but Sarah’s happiness is so important to Laurie that she dedicates ample energy into retraining her heart not to love Jack. Laurie is misguided, but her effort and loyalty spring from a true heart, and she considers her project mostly successful. Perhaps she would have total success, but the fact of the matter is that Jack feels the same deep connection to Laurie. His reasons for not acting on them are less admirable: He likes Sarah and she’s the total package; why would he give that up just because every time he and Laurie have enough time together (and just enough alcohol) they nearly fall into each other’s arms? Laurie finally begins to move on, creating a mostly satisfying life for herself, whereas Jack’s inability to be genuine tortures him and turns him into an ever bigger jerk. Patriarchy—it hurts men, too! There’s no question where the book is going, but the pacing is just right, the tone warm, and the characters sympathetic, even when making dumb decisions.
Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an emotional, satisfying read.Pub Date: Oct. 16, 2018
ISBN: 978-0-525-57468-2
Page Count: 400
Publisher: Crown
Review Posted Online: July 30, 2018
Kirkus Reviews Issue: Aug. 15, 2018
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
A thoughtful and pensive tale with intelligent characters and a satisfying romance.
A promise to his best friend leads an Army serviceman to a family in need and a chance at true love in this novel.
Beckett Gentry is surprised when his Army buddy Ryan MacKenzie gives him a letter from Ryan’s sister, Ella. Abandoned by his mother, Beckett grew up in a series of foster homes. He is wary of attachments until he reads Ella’s letter. A single mother, Ella lives with her twins, Maisie and Colt, at Solitude, the resort she operates in Telluride, Colorado. They begin a correspondence, although Beckett can only identify himself by his call sign, Chaos. After Ryan’s death during a mission, Beckett travels to Telluride as his friend had requested. He bonds with the twins while falling deeply in love with Ella. Reluctant to reveal details of Ryan’s death and risk causing her pain, Beckett declines to disclose to Ella that he is Chaos. Maisie needs treatment for neuroblastoma, and Beckett formally adopts the twins as a sign of his commitment to support Ella and her children. He and Ella pursue a romance, but when an insurance investigator questions the adoption, Beckett is faced with revealing the truth about the letters and Ryan’s death, risking losing the family he loves. Yarros’ (Wilder, 2016, etc.) novel is a deeply felt and emotionally nuanced contemporary romance bolstered by well-drawn characters and strong, confident storytelling. Beckett and Ella are sympathetic protagonists whose past experiences leave them cautious when it comes to love. Beckett never knew the security of a stable home life. Ella impulsively married her high school boyfriend, but the marriage ended when he discovered she was pregnant. The author is especially adept at developing the characters through subtle but significant details, like Beckett’s aversion to swearing. Beckett and Ella’s romance unfolds slowly in chapters that alternate between their first-person viewpoints. The letters they exchanged are pivotal to their connection, and almost every chapter opens with one. Yarros’ writing is crisp and sharp, with passages that are poetic without being florid. For example, in a letter to Beckett, Ella writes of motherhood: “But I’m not the center of their universe. I’m more like their gravity.” While the love story is the book’s focus, the subplot involving Maisie’s illness is equally well-developed, and the link between Beckett and the twins is heartfelt and sincere.
A thoughtful and pensive tale with intelligent characters and a satisfying romance.Pub Date: Feb. 26, 2019
ISBN: 978-1-64063-533-3
Page Count: 432
Publisher: Entangled: Amara
Review Posted Online: Jan. 2, 2019
Kirkus Reviews Issue: Feb. 15, 2019
Review Program: Kirkus Indie
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