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EVERYONE ELSE’S GIRL

Amusing, heartfelt and emotionally sophisticated chick-lit.

The dreaded move back home offers an opportunity for personal reinvention in this agreeable tale.

At 28, Meredith McKay has a job she doesn’t hate, a boyfriend she likes just fine and a nice little life far, far from her dysfunctional family. This pleasant existence is interrupted when a medical emergency—her father breaks his leg while her mother tours Europe—requires an extended stay at her childhood home. Always the responsible one, Meredith tends to her father while keeping the peace between her siblings and maintaining a truce with her brother’s fiancée—who happens to be her former best friend. Her father’s convalescence provides her with ample opportunity to rediscover her teen angst and deal with the fact that caring for him in the home she thought she’d escaped doesn’t compare at all favorably to caring for her boyfriend in the home she’s created for herself. In any case, the reader can be certain that Meredith will soon be jolted from her housewifely tendencies altogether. When a young, female protagonist rhapsodizes about her “comfortable routine,” you know her world is about to get rocked. Unrest arrives in the form of Scott Sheridan, a dweeb from her youth who has grown into a disarmingly handsome man. The reunion culminates in crazed sexual shenanigans, which Scott perceives as payment for various tortures Meredith and her clique inflicted on him in high school. The ensuing relationship—all snarky banter and passive-aggressive sex—is pure passion sublimated, straight out of a romantic comedy. This is not to say that the story is utterly predictable. While Crane (English as a Second Language, 2004) follows the rules of the genre when it comes to love, she affords her heroine considerable latitude for growth, and she addresses real challenges—connecting with an imperfect family, making and keeping girlfriends, achieving true self-awareness—faced by young women.

Amusing, heartfelt and emotionally sophisticated chick-lit.

Pub Date: Oct. 21, 2005

ISBN: 0-446-69433-9

Page Count: 272

Publisher: 5 Spot/Grand Central Publishing

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 2005

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LONESOME DOVE

A NOVEL (SIMON & SCHUSTER CLASSICS)

This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.

Pub Date: June 1, 1985

ISBN: 068487122X

Page Count: 872

Publisher: Simon & Schuster

Review Posted Online: Sept. 30, 2011

Kirkus Reviews Issue: May 15, 1985

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DISTANT SHORES

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...

Another middle-aged mom in a muddle.

After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).

Pub Date: July 1, 2002

ISBN: 0-345-45071-X

Page Count: 352

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2002

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