An intense exploration of love, betrayal, and self-acceptance that packs a Plathian emotional wallop.
Davis probes failed relationships, homophobia, and sexism in these searing poems.
The 129 poems collected here explore the hells that we can endure with other people. Many deal with the author’s affairs with other women, which entail pleasurable pain (“I like bruises on my arms / And hands around my neck”), ravaging mental abuse (“I’ve run out of words to tell you, / The pain I feel from the things that you do”), and post-breakup contempt (“I felt so depleted, so worn down, / I was in a garden with a parasite”). Several pieces address antagonistic family dynamics, including a father’s domineering behavior (“You’re Daddy’s little girl, /…Make sure to smile and giggle / At all his unfunny jokes. / Make sure not to complain / When you feel his pokes”). Relatives’ refusals to accept the poet’s sexuality provoke a broadside of almost biblical fury (“As you take your six pieces of silver all the way to hell with you / You Judas, may God bless your mediocre soul”). Other poems take aim at patriarchy, seething at “This cold and gentry life / As a carcéral officer’s wife / The life of every woman in America,” and at pandemic measures as a marker of alienation (“Socially distance— / Six feet apart— / But how far apart are we spiritually”). Davis’ confessional verse is unashamedly self-revealing, even self-lacerating, as it plumbs the depths of pain and rejection. Her poems depict powerful, sometimes harsh feelings conveyed in arresting language and apt metaphors; they are often bleak and plangent (“Where were you when you realized that no one truly cares about anyone else? / This world is so much colder than it ever feels— / I can’t tell where my cigarette smoke ends and my frosted breath begins”), and at other times lyrical in hymning the union of hearts (“Like the ocean and the sand— / They meet briefly, / Moment after moment”). The result is a resonant journey through anguish and healing.
An intense exploration of love, betrayal, and self-acceptance that packs a Plathian emotional wallop.Pub Date: June 1, 2024
ISBN: 9781963844078
Page Count: 192
Publisher: Manhattan Book Group
Review Posted Online: Sept. 12, 2024
Kirkus Reviews Issue: Nov. 15, 2024
Review Program: Kirkus Indie
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
Sedaris at his darkest—and his best.
In which the veteran humorist enters middle age with fine snark but some trepidation as well.
Mortality is weighing on Sedaris (Theft by Finding: Diaries 1977-2002, 2017, etc.), much of it his own, professional narcissist that he is. Watching an elderly man have a bowel accident on a plane, he dreaded the day when he would be the target of teenagers’ jokes “as they raise their phones to take my picture from behind.” A skin tumor troubled him, but so did the doctor who told him he couldn’t keep it once it was removed. “But it’s my tumor,” he insisted. “I made it.” (Eventually, he found a semitrained doctor to remove and give him the lipoma, which he proceeded to feed to a turtle.) The deaths of others are much on the author’s mind as well: He contemplates the suicide of his sister Tiffany, his alcoholic mother’s death, and his cantankerous father’s erratic behavior. His contemplation of his mother’s drinking—and his family’s denial of it—makes for some of the most poignant writing in the book: The sound of her putting ice in a rocks glass increasingly sounded “like a trigger being cocked.” Despite the gloom, however, frivolity still abides in the Sedaris clan. His summer home on the Carolina coast, which he dubbed the Sea Section, overspills with irreverent bantering between him and his siblings as his long-suffering partner, Hugh, looks on. Sedaris hasn’t lost his capacity for bemused observations of the people he encounters. For example, cashiers who say “have a blessed day” make him feel “like you’ve been sprayed against your will with God cologne.” But bad news has sharpened the author’s humor, and this book is defined by a persistent, engaging bafflement over how seriously or unseriously to take life when it’s increasingly filled with Trump and funerals.
Sedaris at his darkest—and his best.Pub Date: May 29, 2018
ISBN: 978-0-316-39238-9
Page Count: 288
Publisher: Little, Brown
Review Posted Online: Feb. 19, 2018
Kirkus Reviews Issue: March 1, 2018
PROFILES
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
