A riveting story of ambitious and self-sufficient women, both in the present and past.
A disturbing painting plunges a modern girl into a decades-old mystery.
After sacrificing her college savings to help save her family’s home, Julie is stuck working at Bed Bath & Beyond while her best friend Lauren has the fortunate circumstance to attend Parsons in the fall, a dream both once shared. The white teens’ final summer together begins with a painting Julie purchases at a thrift store. After hanging the painting and then turning off the light to sleep, Julie discovers that the darkness reveals an entire new painting underneath the surface that’s visible in the light. The only clue to the artist’s identity is the signature, the initials L.G. An artist herself, Julie goes on the hunt, dragging Lauren along, to discover more. They find other paintings that share this uncanny technique of masking two paintings in one. With each painting they find, the darkness reveals chilling images connected to a true story of young women who worked at a watch-painting facility during World War I. Alternating chapters follow Julie’s quest and present decades-old love letters written by Lydia, a white radium factory worker, both slowly revealing the horrific story of young women who were exposed to radioactive paints. With this interleaved technique, Bryant brilliantly lures readers into an engaging mystery, a page-turner that begins beneath layers revealed in both paintings and chapters.
A riveting story of ambitious and self-sufficient women, both in the present and past. (Mystery/historical fiction. 14-18)Pub Date: Sept. 1, 2017
ISBN: 978-0-8075-2965-2
Page Count: 272
Publisher: Whitman
Review Posted Online: June 13, 2017
Kirkus Reviews Issue: July 1, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Cracking page-turner with a multiethnic band of misfits with differing sexual orientations who satisfyingly, believably jell...
Adolescent criminals seek the haul of a lifetime in a fantasyland at the beginning of its industrial age.
The dangerous city of Ketterdam is governed by the Merchant Council, but in reality, large sectors of the city are given over to gangs who run the gambling dens and brothels. The underworld's rising star is 17-year-old Kaz Brekker, known as Dirtyhands for his brutal amorality. Kaz walks with chronic pain from an old injury, but that doesn't stop him from utterly destroying any rivals. When a councilman offers him an unimaginable reward to rescue a kidnapped foreign chemist—30 million kruge!—Kaz knows just the team he needs to assemble. There's Inej, an itinerant acrobat captured by slavers and sold to a brothel, now a spy for Kaz; the Grisha Nina, with the magical ability to calm and heal; Matthias the zealot, hunter of Grishas and caught in a hopeless spiral of love and vengeance with Nina; Wylan, the privileged boy with an engineer's skills; and Jesper, a sharpshooter who keeps flirting with Wylan. Bardugo broadens the universe she created in the Grisha Trilogy, sending her protagonists around countries that resemble post-Renaissance northern Europe, where technology develops in concert with the magic that's both coveted and despised. It’s a highly successful venture, leaving enough open questions to cause readers to eagerly await Volume 2.
Cracking page-turner with a multiethnic band of misfits with differing sexual orientations who satisfyingly, believably jell into a family . (Fantasy. 14 & up)Pub Date: Sept. 29, 2015
ISBN: 978-1-62779-212-7
Page Count: 480
Publisher: Henry Holt
Review Posted Online: June 28, 2015
Kirkus Reviews Issue: July 15, 2015
BOOK TO SCREEN
A rare second volume that surpasses the first, with, happily, more intrigue and passion still to come.
A heady blend of courtly double-crossing, Faerie lore, and toxic attraction swirls together in the sequel to The Cruel Prince (2018).
Five months after engineering a coup, human teen Jude is starting to feel the strain of secretly controlling King Cardan and running his Faerie kingdom. Jude’s self-loathing and anger at the traumatic events of her childhood (her Faerie “dad” killed her parents, and Faerie is not a particularly easy place even for the best-adjusted human) drive her ambition, which is tempered by her desire to make the world she loves and hates a little fairer. Much of the story revolves around plotting (the Queen of the Undersea wants the throne; Jude’s Faerie father wants power; Jude’s twin, Taryn, wants her Faerie betrothed by her side), but the underlying tension—sexual and political—between Jude and Cardan also takes some unexpected twists. Black’s writing is both contemporary and classic; her world is, at this point, intensely well-realized, so that some plot twists seem almost inevitable. Faerie is a strange place where immortal, multihued, multiformed denizens can’t lie but can twist everything; Jude—who can lie—is an outlier, and her first-person, present-tense narration reveals more than she would choose. With curly dark brown hair, Jude and Taryn are never identified by race in human terms.
A rare second volume that surpasses the first, with, happily, more intrigue and passion still to come. (map) (Fantasy. 14-adult)Pub Date: Jan. 8, 2019
ISBN: 978-0-316-31035-2
Page Count: 336
Publisher: Little, Brown
Review Posted Online: Sept. 29, 2018
Kirkus Reviews Issue: Oct. 15, 2018
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