by Megan Goodwin & Ilyse Morgenstein Fuerst ‧ RELEASE DATE: Nov. 5, 2024
A provocative, fresh way to look at the reach of religious belief in a supposedly secular society.
A critical examination of the pervasive influence of religion in daily life.
Though both Goodwin and Morgenstein Fuerst are scholars of religion, they denounce “bullshit takes on religion…that insist religion is always and everywhere good.” At the same time, they dispute the view that religion is retrograde and irrational: there’s a place for it, they insist, if perhaps not so all-encroaching as it is in American society. On that note, they observe, for instance, that Christianity effectively dictates the calendar, not just because it’s a Christian invention, courtesy of Pope Gregory XIII, but also because it deprecates holidays that are not Christian in nature. “Even working in liberal Massachusetts is not a guarantee your employer will be cool with you calling out of work as witchy,” they write of Goodwin’s Wiccan views. The authors go further still in their critique of religion-fueled patriarchy: if you privilege white male Christian worldviews over any other, they hold, you get Jan. 6, 2021. Religion shapes health care, as arguments over abortion highlight, and it shapes politics and policing. Noting that “nominally secular systems like laws and courts codify white Christian nationalism” even in the face of the Constitution’s establishment clause, they rightly observe too that no one is really free to opt out of the system: A Sikh with a turban cannot opt out of being looked at with fear and suspicion at the airport any more than someone named Ahmed can remove himself from candidacy for the no-fly list even were he to move to South Dakota and convert to Lutheranism. In all these ways, then, religion truly is not done with us, no matter how much we might want to be done with it.
A provocative, fresh way to look at the reach of religious belief in a supposedly secular society.Pub Date: Nov. 5, 2024
ISBN: 9780807012758
Page Count: 176
Publisher: Beacon Press
Review Posted Online: Sept. 28, 2024
Kirkus Reviews Issue: Nov. 1, 2024
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by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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PERSPECTIVES
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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by Howard Zinn
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