Next book

CLARIS

HOLIDAY HEIST

From the Claris Collection series

Not one to hurry to swipe off the shelf.

The fourth title in the Claris Collection features a Christmastime crime.

Claris the Parisian mouse is delighted to be in New York City with her feline pal, Monsieur, and their human family—though the child in the family is called “the Brat” and she lives up to the name. While this moniker may be off-putting, the rhymed verse peppered with French phrases largely focuses on Claris and her escapades in the big city. The rather cloying tone seems aimed more at adult fashionistas than child readers, as designer name-dropping abounds, and Hess uses her background in fashion illustration to depict Claris getting all gussied up to go shopping. While she and the family await their driver, the très chic rodent spies homeless mice shivering in the cold and begging for food. Their plight weighs on Claris as she heads to Cartier, but her attention soon shifts to the titular holiday heist: While in the glamorous shop, she and Monsieur see another pet, this one in a carrying case, swipe a ruby ring. They pursue the thief and reclaim the jewelry before the person who brought it to the shop notices it’s missing. The book ends with Claris giving aid to the homeless mice, though this subplot seems forced and superfluous to the rest of the book. Claris and Monsieur’s human family presents White; there are some characters of color in the background.

Not one to hurry to swipe off the shelf. (Picture book. 4-7)

Pub Date: Oct. 6, 2020

ISBN: 978-1-76050-495-3

Page Count: 48

Publisher: Hardie Grant Egmont

Review Posted Online: Aug. 17, 2020

Kirkus Reviews Issue: Sept. 1, 2020

Next book

DECOY SAVES OPENING DAY

A charming tale of an athlete who may not steal any bases but who will certainly steal readers’ hearts.

Ohtani, pitcher for the Los Angeles Dodgers, teams up with Blank and Liem to tell the story of how his dog, Decoy, threw out a ceremonial first pitch.

It’s a big day! Decoy leaps “off the bed. Then back onto the bed. Then off the bed.” The enthusiastic pup heads outside to practice with his lucky baseball but is quickly distracted by squirrels (“we’ll play later!”), airplanes (“flyin’ high!”), and flowers (“smell ya soon!”). Dog and pitcher then head to the ballpark. In the locker room, Decoy high-paws Shohei’s teammates. It’s nearly time! But as Shohei prepares to warm up, Decoy realizes that he’s forgotten something important: his lucky ball. Without it, there will be “no championships, no parades, and no hot dogs!” Back home he goes, returning just in time. With Shohei at the plate, Decoy runs from the mound to his owner, rolling the ball into Shohei’s mitt for a “Striiiiike!” Related from a dog’s point of view, Ohtani and Blank’s energetic text lends the tale a sense of urgency and suspense. Liem’s illustrations capture the excitement of the first day of baseball season and the joys of locker room camaraderie, as well as Shohei and Decoy’s mutual affection—even when the ball is drenched in slobber, Shohei’s love for his pet shines through, and clearly, Decoy is focused when it matters.

A charming tale of an athlete who may not steal any bases but who will certainly steal readers’ hearts. (Picture book. 5-7)

Pub Date: Feb. 3, 2026

ISBN: 9780063460775

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: Oct. 10, 2025

Kirkus Reviews Issue: Nov. 15, 2025

Next book

LOVE FROM THE CRAYONS

As ephemeral as a valentine.

Daywalt and Jeffers’ wandering crayons explore love.

Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.

As ephemeral as a valentine. (Picture book. 4-6)

Pub Date: Dec. 24, 2019

ISBN: 978-1-5247-9268-8

Page Count: 32

Publisher: Penguin Workshop

Review Posted Online: Feb. 1, 2021

Close Quickview