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BEAUTY AND THE BOOK

FINE EDITIONS AND CULTURE DISTINCTION IN AMERICA

A fine book about fine books, Benton’s study will delight bibliophiles with its clever mix of history, anecdote, and...

Benton (English/Pacific Lutheran Univ.) explores the clash between cultural purists and preying capitalists in the publishing

world’s mad rush to create deluxe editions of distinguished authors during the 1920s and '30s. In this boom of fine editions of literary classics, was the goal of the post-WWI publishing industry to illuminate the darkened masses, to finesse the egos of a wealthy generation of parvenus, or to preserve the art of the word for a self-determined cultural elite? Benton answers this question by interrogating the historical record of the publishing world and the lives of the men and women who directed it in the early years of the 20th century. With witty anecdotes that enliven and sharpen her narrative, the publishing giants of yesteryear come alive, complete with the personality wrinkles which line their character. Firecracker Beatrice Ward, stodgy Porter Garnett (who made his employees work under a depiction of God’s eye), and mercenary Bennett Cerf, among others, participated in an unparalleled publishing phenomenon: the marketing of exquisitely handcrafted books, selling for outrageous sums to customers wealthy enough to afford them. Reacting to the mass industrialization of the world around them, these printers worked to create an artistic form for books that mirrored their delicious content. Noble objectives notwithstanding, filthy lucre never fully disappeared from the purity of the project—this paradox reaching its height as publishers cashed in on the supposed anti-commercialism of their project to sell more and more titles. Benton’s lucid prose exposes this fault line between vision and reality with good humor and rigid research, resulting in the most readable of scholarly tomes.

A fine book about fine books, Benton’s study will delight bibliophiles with its clever mix of history, anecdote, and analysis.

Pub Date: Feb. 1, 2000

ISBN: 0-300-08213-4

Page Count: 336

Publisher: Yale Univ.

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2000

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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