Solid research underpins whimsy in McCarthy’s latest historical foray.
In time for the 2016 Summer Olympics, McCarthy spotlights the men’s marathon at the first Olympic Games hosted by the United States, held at the 1904 St. Louis World’s Fair.
Representing six countries, the race’s 32 starting athletes included 17 Americans. McCarthy focuses on 10 runners, including two South Africans, a Cuban, a Frenchman, and six Americans. The 90-degree heat and scarce water daunted the athletes—several succumbed to cramps and nausea. Attendees in autos and on bicycles created thick dust clouds that impeded the runners’ vision and breathing. Justifying the titular claim, McCarthy recounts events that contrast with the tightly scripted modern Olympics. Len Tau, chased by an angry dog, ran a mile off course—and still finished ninth. Felix Carvajal, the Cuban, stopped to snack and practice his English with bystanders—and cried to learn that he had finished fourth. American Fred Lorz, driven off in an automobile after suffering cramps, mysteriously showed up first at the finish line—but was quickly disqualified for cheating. Prefiguring today’s doping scandals, Thomas Hicks, the marathon’s winner, begged for water during the race—and was given strychnine by his trainers. Trademark googly eyes notwithstanding, McCarthy’s acrylic compositions of runners are based on period photographs. Endpapers reproduce fairgoers’ handwritten postcards.
Solid research underpins whimsy in McCarthy’s latest historical foray. (historical note, photographs, selected bibliography) (Informational picture book. 5-8)Pub Date: March 1, 2016
ISBN: 978-1-4814-0639-0
Page Count: 48
Publisher: Paula Wiseman/Simon & Schuster
Review Posted Online: Dec. 21, 2015
Kirkus Reviews Issue: Jan. 1, 2016
A succinct, edifying read, but don’t buy it for the pictures.
Abraham Lincoln’s ascent to the presidency is recounted in a fluid, easy-to-read biography for early readers.
Simple, direct sentences stress Lincoln’s humble upbringing, his honesty, and his devotion to acting with moral conviction. “Lincoln didn’t seem like a man who would be president one day. But he studied hard and became a lawyer. He cared about people and about justice.” Slavery and Lincoln’s signature achievement of emancipation are explained in broad yet defined, understandable analogies. “At that time, in the South, the law let white people own black people, just as they owned a house or a horse.” Readers are clearly given the president’s perspective through some documented memorable quotes from his own letters. “Lincoln did not like slavery. ‘If slavery is not wrong,’ he wrote to a friend ‘nothing is wrong.’ ” (The text does not clarify that this letter was written in 1865 and not before he ascended to the presidency, as implied by the book.) As the war goes on and Lincoln makes his decision to free the slaves in the “Southern states”—“a bold move”—Lincoln’s own words describe his thinking: “ ‘If my name ever goes into history,’ Lincoln said, ‘it will be for this act.’ ” A very basic timeline, which mentions the assassination unaddressed in the text, is followed by backmatter providing photographs, slightly more detailed historical information, and legacy. It’s a pity that the text is accompanied by unremarkable, rudimentary opaque paintings.
A succinct, edifying read, but don’t buy it for the pictures. (Informational early reader. 6-8)Pub Date: June 20, 2017
ISBN: 978-0-06-243256-8
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: March 5, 2017
Kirkus Reviews Issue: March 15, 2017
Stirring encouragement for all “little people” with “big dreams.” (Picture book/biography. 5-7)
“There’s nothing I can’t be,” young Maya thinks, and then shows, in this profile for newly independent readers, imported from Spain.
The inspirational message is conveyed through a fine skein of biographical details. It begins with her birth in St. Louis and the prejudice she experienced growing up in a small Arkansas town and closes with her reading of a poem “about her favorite thing: hope” at Bill Clinton’s presidential inauguration. In between, it mentions the (unspecified) “attack” by her mother’s boyfriend and subsequent elective muteness she experienced as a child, as well as some of the varied pursuits that preceded her eventual decision to become a writer. Kaiser goes on in a closing spread to recap Angelou’s life and career, with dates, beneath a quartet of portrait photos. Salaberria’s simple illustrations, filled with brown-skinned figures, are more idealized than photorealistic, but, though only in the cover image do they make direct contact with readers’, Angelou’s huge eyes are an effective focal point in each scene. The message is similar in the co-published Amelia Earhart, written by Ma Isabel Sánchez Vegara (and also translated by Pitt), but the pictures are more fanciful as illustrator Mariadiamantes endows the aviator with a mane of incandescent orange hair and sends her flying westward (in contradiction of the text and history) on her final around-the-world flight.
Stirring encouragement for all “little people” with “big dreams.” (Picture book/biography. 5-7)Pub Date: July 1, 2016
ISBN: 978-1-84780-889-9
Page Count: 32
Publisher: Frances Lincoln
Review Posted Online: May 13, 2016
Kirkus Reviews Issue: June 1, 2016
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