by Meghan Wilson Duff ; illustrated by Nathalie Dieterlé ‧ RELEASE DATE: Oct. 6, 2026
A sensitive, empathetic take on the moral quandaries of childhood.
A boy is torn between his love for cephalopods and his conscience.
Alex adores books, but without money for the book fair, he feels left out. But when a book about cephalopods—his favorite animals—catches his eye at the fair, he can’t bear to leave it behind. Alex sneaks World of Cephalopods back to his classroom and then brings it home, where he pores over every page. The next day, Principal Rodriguez announces that a book from the fair is missing and invites whoever took it to return it, no questions asked. After a night of guilt-wracked dreams about a giant squid, Alex reluctantly returns the book. Luckily, the school’s perceptive, kindhearted librarian purchases World of Cephalopods for the library, allowing Alex to enjoy it anytime. Alex and his interests (both in wildlife and in drawing) are fully realized, which makes the book’s social-emotional lessons feel relatable rather than didactic. Colorful, painterly illustrations provide a dreamy, underwater effect, and Dieterlé transforms the giant squid into a character in its own right; animal lovers will certainly find an extra layer to love here. Children will enjoy spotting the subtle appearance of the creature’s tentacles, which provide a thoughtful through line for Alex’s inner world.
A sensitive, empathetic take on the moral quandaries of childhood. (author’s and illustrator’s notes, cephalopod facts) (Picture book. 4-8)Pub Date: Oct. 6, 2026
ISBN: 9798888599143
Page Count: 32
Publisher: Barefoot Books
Review Posted Online: June 15, 2026
Kirkus Reviews Issue: July 15, 2026
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by Meghan Wilson Duff ; illustrated by Taylor Barron
by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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by Tish Rabe ; illustrated by Jim Valeri
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by Tish Rabe ; illustrated by Sarah Jennings
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by Tish Rabe ; illustrated by Dan Yaccarino
by Ashley Spires ; illustrated by Ashley Spires ‧ RELEASE DATE: April 1, 2014
Spires’ understanding of the fragility and power of the artistic impulse mixes with expert pacing and subtle...
Making things is difficult work. Readers will recognize the stages of this young heroine’s experience as she struggles to realize her vision.
First comes anticipation. The artist/engineer is spotted jauntily pulling a wagonload of junkyard treasures. Accompanied by her trusty canine companion, she begins drawing plans and building an assemblage. The narration has a breezy tone: “[S]he makes things all the time. Easy-peasy!” The colorful caricatures and creations contrast with the digital black outlines on a white background that depict an urban neighborhood. Intermittent blue-gray panels break up the white expanses on selected pages showing sequential actions. When the first piece doesn’t turn out as desired, the protagonist tries again, hoping to achieve magnificence. A model of persistence, she tries many adjustments; the vocabulary alone offers constructive behaviors: she “tinkers,” “wrenches,” “fiddles,” “examines,” “stares” and “tweaks.” Such hard work, however, combines with disappointing results, eventually leading to frustration, anger and injury. Explosive emotions are followed by defeat, portrayed with a small font and scaled-down figures. When the dog, whose expressions have humorously mirrored his owner’s through each phase, retrieves his leash, the resulting stroll serves them well. A fresh perspective brings renewed enthusiasm and—spoiler alert—a most magnificent scooter sidecar for a loyal assistant.
Spires’ understanding of the fragility and power of the artistic impulse mixes with expert pacing and subtle characterization for maximum delight. (Picture book. 4-7)Pub Date: April 1, 2014
ISBN: 978-1-55453-704-4
Page Count: 32
Publisher: Kids Can
Review Posted Online: Feb. 25, 2014
Kirkus Reviews Issue: March 15, 2014
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developed by Ashley Spires ; adapted by Naseem Hrab ; illustrated by Mike Shiell
BOOK REVIEW
developed by Ashley Spires ; adapted by Naseem Hrab ; illustrated by Mike Shiell
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by Ashley Spires ; illustrated by Ashley Spires
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