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ESAU

Noted Israeli writer Shalev (The Blue Mountain, 1991) takes his time getting nowhere in particular as he tries to put a contemporary spin on the legendary biblical story of a lost inheritance and sibling rivalry. Set in Israel, the story is narrated by Esau, who fled to America when his beloved Leah was wooed and won by twin brother Jacob. Now in his late 50s, Esau is back home visiting his dying father, Abraham Levy, a descendant of illustrious sages but a baker by trade, who had fallen in love and married the splendid red- haired Sarah, daughter of Russian peasant converts who had immigrated to Israel early in the century. Humiliated by the loan her family made after his business was destroyed by an earthquake in 1927, Abraham soon, to Sarah's great sorrow, ignored her. Esau recalls his parents' courtship, his village childhood, his rivalry with Jacob, and the events that led to his flight. He also includes stories of Jacob, who stayed behind with Leah and still works in the bakery. In America, Esau became a food writer, but he never forgot his deep love for Leah or for his mother, though Sarah cursed him when he left home, telling him that ``you won't have family of your own... You won't have wife of your own... You won't have child of your own.'' Which all came to pass. The family history doesn't make the impact it should: Jacob's son is killed in Israel's War of Independence, and Leah, overwhelmed by grief, sleeps the rest of her life away. Though she bears another son, conception and birth do not interrupt her slumber. Nothing is resolved despite pretentious hints, fleshed out by tiresome bits of magic realism (an old aunt has miraculous suckling powers) that promise more. For all its bravado and braggadocio, this novel never quite goes mano a mano with its subject. Arm wrestling without the table.

Pub Date: Nov. 16, 1994

ISBN: 0-06-019040-X

Page Count: 384

Publisher: HarperCollins

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Oct. 1, 1994

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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