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A Funny Thing Happened to Me on the Way to My Funeral

The humor runs the gamut from clever to corny, but the lighthearted, upbeat tone makes for a charming read.

Calvert (How I Quit Smoking and Lived to Tell About It, 2012) shares the often humorous story of his life as a traveling entertainer performing comedy, music and magic both in solo performances and with his wife, Sunny.

These short tales offer a brief glimpse into Calvert’s career as an entertainer, including how he got started in show business, some of the people he’s met along the way and the different places both in the U.S. and abroad where he’s performed. Anecdotal tales about his life as a performer are blended together with clean jokes, many of which will be familiar to most readers. Calvert even tosses in a little word-game riddle, the solution to which he buries in the text at a much later point. As a proud family man, he includes short sections on each of his children. Black-and-white photos that accompany the text feature the author performing, family and friends, locales mentioned in the book, some funny signs and even a couple of Internet memes. Despite this strange mixture of information and a somewhat disjointed style, the book is quite readable, with the first and second chapters consisting of almost nothing but jokes before switching to a memoir style accented by jokes in Chapter 3. The author’s breezy, informal style makes it feel like he’s an old friend casually relating these tales. It doesn’t hurt that he focuses on the humorous stories from throughout his life, such as his early days flying: “I believe I am the only student pilot who has ever landed a plane backward.” His tales of performing tend to focus on entertaining events along the way, such as the day a waiter was enlisted to press the play button on the cassette player at the start of a dance number, though he hit fast forward instead and chaos ensued.

The humor runs the gamut from clever to corny, but the lighthearted, upbeat tone makes for a charming read.

Pub Date: Feb. 7, 2013

ISBN: 978-1481141802

Page Count: 180

Publisher: CreateSpace

Review Posted Online: April 17, 2013

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SLEEPERS

An extraordinary true tale of torment, retribution, and loyalty that's irresistibly readable in spite of its intrusively melodramatic prose. Starting out with calculated, movie-ready anecdotes about his boyhood gang, Carcaterra's memoir takes a hairpin turn into horror and then changes tack once more to relate grippingly what must be one of the most outrageous confidence schemes ever perpetrated. Growing up in New York's Hell's Kitchen in the 1960s, former New York Daily News reporter Carcaterra (A Safe Place, 1993) had three close friends with whom he played stickball, bedeviled nuns, and ran errands for the neighborhood Mob boss. All this is recalled through a dripping mist of nostalgia; the streetcorner banter is as stilted and coy as a late Bowery Boys film. But a third of the way in, the story suddenly takes off: In 1967 the four friends seriously injured a man when they more or less unintentionally rolled a hot-dog cart down the steps of a subway entrance. The boys, aged 11 to 14, were packed off to an upstate New York reformatory so brutal it makes Sing Sing sound like Sunnybrook Farm. The guards continually raped and beat them, at one point tossing all of them into solitary confinement, where rats gnawed at their wounds and the menu consisted of oatmeal soaked in urine. Two of Carcaterra's friends were dehumanized by their year upstate, eventually becoming prominent gangsters. In 1980, they happened upon the former guard who had been their principal torturer and shot him dead. The book's stunning denouement concerns the successful plot devised by the author and his third friend, now a Manhattan assistant DA, to free the two killers and to exact revenge against the remaining ex-guards who had scarred their lives so irrevocably. Carcaterra has run a moral and emotional gauntlet, and the resulting book, despite its flaws, is disturbing and hard to forget. (Film rights to Propaganda; author tour)

Pub Date: July 10, 1995

ISBN: 0-345-39606-5

Page Count: 432

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1995

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DRAFT NO. 4

ON THE WRITING PROCESS

A superb book about doing his job by a master of his craft.

The renowned writer offers advice on information-gathering and nonfiction composition.

The book consists of eight instructive and charming essays about creating narratives, all of them originally composed for the New Yorker, where McPhee (Silk Parachute, 2010, etc.) has been a contributor since the mid-1960s. Reading them consecutively in one volume constitutes a master class in writing, as the author clearly demonstrates why he has taught so successfully part-time for decades at Princeton University. In one of the essays, McPhee focuses on the personalities and skills of editors and publishers for whom he has worked, and his descriptions of those men and women are insightful and delightful. The main personality throughout the collection, though, is McPhee himself. He is frequently self-deprecating, occasionally openly proud of his accomplishments, and never boring. In his magazine articles and the books resulting from them, McPhee rarely injects himself except superficially. Within these essays, he offers a departure by revealing quite a bit about his journalism, his teaching life, and daughters, two of whom write professionally. Throughout the collection, there emerge passages of sly, subtle humor, a quality often absent in McPhee’s lengthy magazine pieces. Since some subjects are so weighty—especially those dealing with geology—the writing can seem dry. There is no dry prose here, however. Almost every sentence sparkles, with wordplay evident throughout. Another bonus is the detailed explanation of how McPhee decided to tackle certain topics and then how he chose to structure the resulting pieces. Readers already familiar with the author’s masterpieces—e.g., Levels of the Game, Encounters with the Archdruid, Looking for a Ship, Uncommon Carriers, Oranges, and Coming into the Country—will feel especially fulfilled by McPhee’s discussions of the specifics from his many books.

A superb book about doing his job by a master of his craft.

Pub Date: Sept. 5, 2017

ISBN: 978-0-374-14274-2

Page Count: 208

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 8, 2017

Kirkus Reviews Issue: June 1, 2017

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