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JUMP BALL

A BASKETBALL SEASON IN POEMS

Basketball dreams shatter when a high-school team bus goes out of control on an icy road in this latest novel-in-poems from Glenn (The Taking of Room 114, p. 222, etc.). The course of Tower High's championship season becomes clear through the musings of a gallery of players, groupies, teachers, parents, and bystanders; the author expertly creates dramatic tension with early hints of the tragedy to come, but the voices he creates are largely focused on their own lives and concerns of the moment. Those voices are not as strong and distinct as some messages and strokes of broadly brushed irony, e.g., two pages after Rayanne Walker declares how hard she's worked to raise her son, and how hard he works to earn college money, he is killed in an attempted robbery—and his memorial service is just another item, along with the Spring Concert and the scores, in the school's morning announcements. Though Glenn's language is largely conversational, he breaks occasionally into quick, rap- like rhythms, or even concrete poetry, evoking the feel and pace of basketball action rather than conventionally describing it. His fans will find the characters falling into familiar types, and though at its best the poetry is exciting, some superficial, indifferent adults and the imminent crushing of so many hoop dreams give the story a bitter, discouraging cast. (Fiction/poetry. 12-15)

Pub Date: Aug. 1, 1997

ISBN: 0-525-67554-X

Page Count: 151

Publisher: Dutton

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1997

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GYM CANDY

Mick Johnson wants to be a star running back. He’s good, but not good enough. The trouble is the red zone, the 20 yards in front of the end zone, and he’s not quite powerful enough to crunch his way in against big defenders. He begins working harder, lifting weights and taking protein powders, but progress is slow. He starts going to Popeye’s gym, where his trainer introduces him to steroids—gym candy—and then to “stacks,” mixes of pills and injections. This cautionary tale, told in first person, is a methodical working out of the psychology of the high-school athlete willing to do anything to gain an edge. It’s a moral tale, too, as Mick realizes what he has lost for his gains. After almost killing a friend and himself and going through rehab, he understands the almost-irresistible lure of the drugs that promise to make him more than he could be on his own. A superb sports novel with no easy resolutions and a good match with Robert Lipsyte’s Raiders Night (2006). (Fiction. 12-15)

Pub Date: Sept. 3, 2007

ISBN: 978-0-618-77713-6

Page Count: 320

Publisher: Houghton Mifflin

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 2007

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I HAVE A BAD FEELING ABOUT THIS

Without that frame, this would have been a fine addition to the wacked-out summer-camp subgenre.

Survival camp? How can you not have bad feelings about that?

Sixteen-year-old nerd (or geek, but not dork) Henry Lambert has no desire to go to Strongwoods Survival Camp. His father thinks it might help Henry man up and free him of some of his odd phobias. Randy, Henry’s best friend since kindergarten, is excited at the prospect of going thanks to the camp’s promotional YouTube video, so Henry relents. When they arrive at the shabby camp in the middle of nowhere and meet the possibly insane counselor (and only staff member), Max, Henry’s bad feelings multiply. Max tries to train his five campers with a combination of carrot and stick, but the boys are not athletes, let alone survivalists. When a trio of gangsters drops in on the camp Games to try to collect the debt owed by the owner, the boys suddenly have to put their skills to the test. Too bad they don’t have any—at all. Strand’s summer-camp farce is peopled with sarcastic losers who’re chatty and wry. It’s often funny, and the gags turn in unexpected directions and would do Saturday Night Live skits proud. However, the story’s flow is hampered by an unnecessary and completely unfunny frame that takes place during the premier of the movie the boys make of their experience. The repeated intrusions bring the narrative to a screeching halt.

Without that frame, this would have been a fine addition to the wacked-out summer-camp subgenre. (Fiction. 12-14)

Pub Date: March 1, 2014

ISBN: 978-1-4022-8455-7

Page Count: 256

Publisher: Sourcebooks Fire

Review Posted Online: Jan. 14, 2014

Kirkus Reviews Issue: Feb. 1, 2014

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