Compelling, powerful and unforgettable.

AUDACITY

A novel in verse featuring the real-life Clara Lemlich, a courageous, tenacious warrior for workers’ rights in turn-of-the-20th-century New York City.

Newly arrived in New York from Russia, she finds employment in a sweatshop, where young immigrant girls toil in dangerous conditions, cheated and harassed by bosses, earning pennies for long hours of work. Sacrificing her dream of an education and in spite of her family’s dire economic straits, she devotes her energy to supporting these girls, fighting for the inclusion of women in the all-male garment union and winning them their own local. She organizes strikes against individual sweatshops and leads the Uprising of the 20,000, during which she and the other young women strikers are repeatedly beaten by police and hired thugs, arrested and jailed. From her constricted life in a Russian shtetl and difficult journey to America to the choices she makes in her new life, readers hear Clara’s strong, clear voice in action-packed verses that convey with intense emotion her conflicts and conviction, her deepest thoughts, and her doubts and triumphs. Crowder breathes life into a world long past and provides insight into the achievements of one determined woman who knows she will “give / without the thought / of ever getting back, / to ease the suffering of others. / That, / I think, / I will be doing / the rest of my life.”

Compelling, powerful and unforgettable. (historical note, interview, glossary, sources) (Historical fiction/poetry. 12-18)

Pub Date: Jan. 8, 2015

ISBN: 978-0-399-16899-4

Page Count: 400

Publisher: Philomel

Review Posted Online: Oct. 1, 2014

Kirkus Reviews Issue: Oct. 15, 2014

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Engrossing, contemplative, and as heart-wrenching as the title promises.

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THEY BOTH DIE AT THE END

What would you do with one day left to live?

In an alternate present, a company named Death-Cast calls Deckers—people who will die within the coming day—to inform them of their impending deaths, though not how they will happen. The End Day call comes for two teenagers living in New York City: Puerto Rican Mateo and bisexual Cuban-American foster kid Rufus. Rufus needs company after a violent act puts cops on his tail and lands his friends in jail; Mateo wants someone to push him past his comfort zone after a lifetime of playing it safe. The two meet through Last Friend, an app that connects lonely Deckers (one of many ways in which Death-Cast influences social media). Mateo and Rufus set out to seize the day together in their final hours, during which their deepening friendship blossoms into something more. Present-tense chapters, short and time-stamped, primarily feature the protagonists’ distinctive first-person narrations. Fleeting third-person chapters give windows into the lives of other characters they encounter, underscoring how even a tiny action can change the course of someone else’s life. It’s another standout from Silvera (History Is All You Left Me, 2017, etc.), who here grapples gracefully with heavy questions about death and the meaning of a life well-lived.

Engrossing, contemplative, and as heart-wrenching as the title promises. (Speculative fiction. 13-adult).

Pub Date: Sept. 5, 2017

ISBN: 978-0-06-245779-0

Page Count: 384

Publisher: HarperTeen

Review Posted Online: June 5, 2017

Kirkus Reviews Issue: June 15, 2017

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Vivid, chilling, and important.

NONE SHALL SLEEP

Two 18-year-olds with traumatic pasts become entangled in a high-stakes manhunt for a serial killer targeting teenagers.

Emma Lewis isn’t your average psychology undergrad (and not just because she has a buzz cut). Two and a half years ago, she escaped a serial killer’s clutches and then helped the authorities apprehend him. Now a student at Ohio State, she’s been recruited for her unique qualifications by an agent in the FBI’s Behavioral Science department to spend the summer interviewing juvenile offenders. Alongside trainee Travis Bell, whose late father was killed while apprehending one of their subjects, Emma reluctantly ventures into the minds of teenage killers—and must confront her own past when one of the subjects offers unexpected insight into the motives of a new killer known as the Butcher. Set in the early 1980s, narrated in present tense, and told through Emma’s perspective as well as others’ (including the Butcher’s), the tightly plotted story moves inexorably forward with shocking twists alongside clear, applicable descriptions of the cognitive behavioral strategies Emma uses to navigate her PTSD. The narrative is critical of law enforcement work, emphasizing its psychological toll, and the '80s cultural references are handled with a light touch. Emma is white while Travis is cued as biracial (Mexican American and white); although most secondary characters appear white, two key figures are people of color.

Vivid, chilling, and important. (author's note) (Fiction. 13-18)

Pub Date: Sept. 1, 2020

ISBN: 978-0-316-49783-1

Page Count: 400

Publisher: Little, Brown

Review Posted Online: June 15, 2020

Kirkus Reviews Issue: July 1, 2020

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