by Melina Sempill Watts illustrated by Jeff Sojka ‧ RELEASE DATE: April 22, 2017
An ingenious and satisfying tale about a single live oak.
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A debut novel tells the story of life in a California valley through the eyes of a tree.
The hero of this book is, as the title suggests, a tree. Specifically, a live oak that germinates in Topanga in the 18th century. The tale begins, more or less, at the protagonist’s conception: a new acorn drops from a tree and is picked up by a blue jay, which is in turn snatched by a hawk. The acorn falls from the hawk’s talons high in the air and comes to rest in a crack on the dry valley floor. It waits for days in the arid dirt until a mountain lion kills and eats a deer over the crack, coating the acorn in blood: “And the acorn responded to sudden moisture as seeds do. Things uncoiled and uncurled inside.” From there, Watts takes the reader on a journey through more than two centuries of California history with Tree right at the center, from the struggles of the surrounding animals and plants who serve as the oak’s neighbors to the human settlers—Chumash, Spanish, American, and contemporary Angeleno—who alter the face of the valley. The saga of Tree becomes a window into the immensity of nature, simultaneously dynamic and everlasting, and the ways that humans have come to upset the ancient balance. Watts writes in an elegant, highly detailed prose that shows an incredible knack for chronicling the minutiae of the natural world. Even more impressive is her ability to wring narrative from the most common interactions, reminding readers of the Homeric drama unfolding all around them, at every level of life. She makes the most of the novel’s conceit, going so far as to use a Tree-specific pronoun: e instead of he or she. Far from cute, this book takes a serious look at the value of love, the impossibility of permanence, and the ways in which humans leave the world. For anyone wondering about the outcome, Watts closes the work’s first paragraph with the reminder that “there is no happiness. Only serenity lasts.”
An ingenious and satisfying tale about a single live oak.Pub Date: April 22, 2017
ISBN: 978-0-9976921-1-2
Page Count: 246
Publisher: Change the World Books
Review Posted Online: April 28, 2017
Kirkus Reviews Issue: June 15, 2017
Review Program: Kirkus Indie
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by Josie Silver ‧ RELEASE DATE: Oct. 16, 2018
Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an...
True love flares between two people, but they find that circumstances always impede it.
On a winter day in London, Laurie spots Jack from her bus home and he sparks a feeling in her so deep that she spends the next year searching for him. Her roommate and best friend, Sarah, is the perfect wing-woman but ultimately—and unknowingly—ends the search by finding Jack and falling for him herself. Laurie’s hasty decision not to tell Sarah is the second painful missed opportunity (after not getting off the bus), but Sarah’s happiness is so important to Laurie that she dedicates ample energy into retraining her heart not to love Jack. Laurie is misguided, but her effort and loyalty spring from a true heart, and she considers her project mostly successful. Perhaps she would have total success, but the fact of the matter is that Jack feels the same deep connection to Laurie. His reasons for not acting on them are less admirable: He likes Sarah and she’s the total package; why would he give that up just because every time he and Laurie have enough time together (and just enough alcohol) they nearly fall into each other’s arms? Laurie finally begins to move on, creating a mostly satisfying life for herself, whereas Jack’s inability to be genuine tortures him and turns him into an ever bigger jerk. Patriarchy—it hurts men, too! There’s no question where the book is going, but the pacing is just right, the tone warm, and the characters sympathetic, even when making dumb decisions.
Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an emotional, satisfying read.Pub Date: Oct. 16, 2018
ISBN: 978-0-525-57468-2
Page Count: 400
Publisher: Crown
Review Posted Online: July 30, 2018
Kirkus Reviews Issue: Aug. 15, 2018
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by Homer ; translated by Emily Wilson ‧ RELEASE DATE: Nov. 7, 2017
More faithful to the original but less astonishing than Christopher Logue’s work and lacking some of the music of Fagles’...
Fresh version of one of the world’s oldest epic poems, a foundational text of Western literature.
Sing to me, O muse, of the—well, in the very opening line, the phrase Wilson (Classical Studies, Univ. of Pennsylvania) chooses is the rather bland “complicated man,” the adjective missing out on the deviousness implied in the Greek polytropos, which Robert Fagles translated as “of twists and turns.” Wilson has a few favorite words that the Greek doesn’t strictly support, one of them being “monstrous,” meaning something particularly heinous, and to have Telemachus “showing initiative” seems a little report-card–ish and entirely modern. Still, rose-fingered Dawn is there in all her glory, casting her brilliant light over the wine-dark sea, and Wilson has a lively understanding of the essential violence that underlies the complicated Odysseus’ great ruse to slaughter the suitors who for 10 years have been eating him out of palace and home and pitching woo to the lovely, blameless Penelope; son Telemachus shows that initiative, indeed, by stringing up a bevy of servant girls, “their heads all in a row / …strung up with the noose around their necks / to make their death an agony.” In an interesting aside in her admirably comprehensive introduction, which extends nearly 80 pages, Wilson observes that the hanging “allows young Telemachus to avoid being too close to these girls’ abused, sexualized bodies,” and while her reading sometimes tends to be overly psychologized, she also notes that the violence of Odysseus, by which those suitors “fell like flies,” mirrors that of some of the other ungracious hosts he encountered along his long voyage home to Ithaca.
More faithful to the original but less astonishing than Christopher Logue’s work and lacking some of the music of Fagles’ recent translations of Homer; still, a readable and worthy effort.Pub Date: Nov. 7, 2017
ISBN: 978-0-393-08905-9
Page Count: 656
Publisher: Norton
Review Posted Online: Sept. 3, 2017
Kirkus Reviews Issue: Sept. 15, 2017
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by Homer ; translated by Emily Wilson
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