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TREE

An ingenious and satisfying tale about a single live oak.

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A debut novel tells the story of life in a California valley through the eyes of a tree.

The hero of this book is, as the title suggests, a tree. Specifically, a live oak that germinates in Topanga in the 18th century. The tale begins, more or less, at the protagonist’s conception: a new acorn drops from a tree and is picked up by a blue jay, which is in turn snatched by a hawk. The acorn falls from the hawk’s talons high in the air and comes to rest in a crack on the dry valley floor. It waits for days in the arid dirt until a mountain lion kills and eats a deer over the crack, coating the acorn in blood: “And the acorn responded to sudden moisture as seeds do. Things uncoiled and uncurled inside.” From there, Watts takes the reader on a journey through more than two centuries of California history with Tree right at the center, from the struggles of the surrounding animals and plants who serve as the oak’s neighbors to the human settlers—Chumash, Spanish, American, and contemporary Angeleno—who alter the face of the valley. The saga of Tree becomes a window into the immensity of nature, simultaneously dynamic and everlasting, and the ways that humans have come to upset the ancient balance. Watts writes in an elegant, highly detailed prose that shows an incredible knack for chronicling the minutiae of the natural world. Even more impressive is her ability to wring narrative from the most common interactions, reminding readers of the Homeric drama unfolding all around them, at every level of life. She makes the most of the novel’s conceit, going so far as to use a Tree-specific pronoun: e instead of he or she. Far from cute, this book takes a serious look at the value of love, the impossibility of permanence, and the ways in which humans leave the world. For anyone wondering about the outcome, Watts closes the work’s first paragraph with the reminder that “there is no happiness. Only serenity lasts.”

An ingenious and satisfying tale about a single live oak.

Pub Date: April 22, 2017

ISBN: 978-0-9976921-1-2

Page Count: 246

Publisher: Change the World Books

Review Posted Online: April 28, 2017

Kirkus Reviews Issue: June 15, 2017

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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