A tale of monsters—mortal and mythical—that intersects with the previous installment but offers no happily-ever-after...
A sensible young woman runs afoul of fairy-tale figures in this high-fantasy sequel set in a typical, white, medieval-ish kingdom.
For four months, Errin Vastel has struggled to live in the rough-and-tumble town of Almwyk, dodging the attentions of an unctuous official, supplying the mysterious Silas with potions and poisons, and keeping her mother locked up and drugged. With her father dead and brother, Lief, missing, Errin longs for her former life as an apothecary’s apprentice in Tremayne but attempts to care for her mother, first mad with grief, now possibly morphing into a monster. Haunted by erotic, enigmatic dreams, Errin looks for companionship from Silas, but the always-hooded smuggler has his own agenda. Even fairy tales cannot comfort her, for the mythical Sleeping Prince—a man or god or alchemist whose origins are repeatedly but never definitively explained—has woken, killing King Merek, razing religious houses, and sending forth his army of golems and traitorous men. When Errin blackmails Silas into helping her escape, she instead falls deeper into a plot involving the Sleeping Prince, a religious fugitive, and a long-hidden colony of alchemists. In this second volume in the trilogy that began with The Sin Eater’s Daughter (2015), Salisbury delivers another complex protagonist, torn between science and magic and intent on survival but often overwhelmed with grief and guilt. Readers will be grateful for the map that helps them locate the many fantasy places that pepper the book.
A tale of monsters—mortal and mythical—that intersects with the previous installment but offers no happily-ever-after conclusion. (Fantasy. 14-18)Pub Date: May 31, 2016
ISBN: 978-0-545-92127-5
Page Count: 336
Publisher: Scholastic
Review Posted Online: March 1, 2016
Kirkus Reviews Issue: March 15, 2016
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.
After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.
Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)Pub Date: Aug. 30, 2016
ISBN: 978-1-101-93471-5
Page Count: 416
Publisher: Delacorte
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
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