by Melissa Burovac ‧ RELEASE DATE: July 8, 2016
A feel-good romantic comedy with a resilient heroine.
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If she’s ever going to write her romance novel, Sylvie Jacobsen concludes that she will need to get in touch with her wild side.
Would-be romance author Sylvie has just come to a disheartening realization: “Oh my god, I’m a prude.” In the spirit of research, the accountant by day and writer by night signs up for an online dating site, seeking a few steamy rendezvous to chip away at her writer’s block. The profiles that the heroine sifts through are painfully familiar, from AceLover, a gym rat who “was almost handsome but wore a soul patch, which made him look like a douchebag,” to Giz.Allday, whose opening line reads “Those shoes are HAWT lets hang out.” With options like these, Sylvie’s dates are nothing short of disastrous, ranging from the lackluster to the outrageous. Despite her efforts to become a better catch—she invests in new beauty products, totters around in high heels, and even pages through a few naughty magazines—she has no luck. From an awkward sunset picnic fraught with small talk to a promising workout date that ends in embarrassment, each one is a zero. Sylvie starts to lose hope. Her last resort is the hot construction worker whom she has spotted at a local bank—the tellers have promised to pass along her business card. Though the plot relies on a familiar conceit, Burovac’s (Wandering, 2014) strength is in executing physical comedy. Sylvie frequently slips into sexy daydreams, coming to with a literal bang, crash, or spill. Several chapters end on a slapstick note, as when one potential suitor flees a restaurant after Sylvie gets her ring stuck while twirling her hair and smears handwritten notes about her date across her face. While she tends to be self-critical and insecure, it’s lovely to watch her bloom. The novel is set in Hawaii, and Sylvie comes alive during ocean swims and a cruise along the mountainous coast. There’s also a particularly sweet moment when she embraces her sexuality (“she relaxed more as she looked at herself in the mirror, her eyes roving over every part of her body as if she had never seen herself before”). While readers looking for hot and heavy love scenes may be disappointed, as this story falls safely in PG-13 territory, hopeless romantics should be satisfied by the fairy-tale ending.
A feel-good romantic comedy with a resilient heroine.Pub Date: July 8, 2016
ISBN: 978-0-9903820-2-7
Page Count: 182
Publisher: Wanderers Press
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: March 1, 2017
Review Program: Kirkus Indie
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by Larry McMurtry ‧ RELEASE DATE: June 1, 1985
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
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SEEN & HEARD
by Paulo Coelho & translated by Margaret Jull Costa ‧ RELEASE DATE: July 1, 1993
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
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