A paint-by-numbers effort to market a spinoff that’s likely to be equally ephemeral.

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THE ISLE OF THE LOST

From the Descendants series , Vol. 1

In a prequel to an upcoming Disney Channel film, the offspring of four familiar villains bond in an effort to impress their evil parents.

Having grown to adolescence in exile beneath a magic-banishing dome on the titular island, Mal, Carlos, Jay, and Evie—the children of, respectively, Maleficent, Cruella De Vil, Jafar, and Snow White’s Evil Queen—set out to fetch Maleficent’s staff from her Forbidden Fortress. Along with having to pass riddle and other tests clumsily designed to get them to admit the banality of their parents’ values, the quest forces the young would-be baddies to cooperate and even to moderate their ’tudes. De la Cruz turns the quest and its interminable buildup into a wordy string of trite situations in which every character trait is carefully explained lest readers miss something: “Lonely, Mal thought. I was lonely. And so were they. Evie, with her beauty-obsessed mother; Carlos, with his screeching harpy of a parent; Jay, the happy-go-lucky thief with a quick wit and dashing smile, who could steal anything in the world except his father’s heart.” Meanwhile, over in the United States of Auradon, Prince Ben, son of King Beast and Queen Belle, chafes at his lack of life choices and with an impulsive but unspecified notion at the end serves up a teaser for the film.

A paint-by-numbers effort to market a spinoff that’s likely to be equally ephemeral. (Fantasy. 11-13)

Pub Date: May 5, 2015

ISBN: 978-1-4847-2097-4

Page Count: 320

Publisher: Disney-Hyperion

Review Posted Online: April 1, 2015

Kirkus Reviews Issue: April 15, 2015

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A sly, side-splitting hoot from start to finish.

THE MECHANICAL MIND OF JOHN COGGIN

The dreary prospect of spending a lifetime making caskets instead of wonderful inventions prompts a young orphan to snatch up his little sister and flee. Where? To the circus, of course.

Fortunately or otherwise, John and 6-year-old Page join up with Boz—sometime human cannonball for the seedy Wandering Wayfarers and a “vertically challenged” trickster with a fantastic gift for sowing chaos. Alas, the budding engineer barely has time to settle in to begin work on an experimental circus wagon powered by chicken poop and dubbed (with questionable forethought) the Autopsy. The hot pursuit of malign and indomitable Great-Aunt Beauregard, the Coggins’ only living relative, forces all three to leave the troupe for further flights and misadventures. Teele spins her adventure around a sturdy protagonist whose love for his little sister is matched only by his fierce desire for something better in life for them both and tucks in an outstanding supporting cast featuring several notably strong-minded, independent women (Page, whose glare “would kill spiders dead,” not least among them). Better yet, in Boz she has created a scene-stealing force of nature, a free spirit who’s never happier than when he’s stirring up mischief. A climactic clutch culminating in a magnificently destructive display of fireworks leaves the Coggin sibs well-positioned for bright futures. (Illustrations not seen.)

A sly, side-splitting hoot from start to finish. (Adventure. 11-13)

Pub Date: April 12, 2016

ISBN: 978-0-06-234510-3

Page Count: 352

Publisher: Walden Pond Press/HarperCollins

Review Posted Online: Dec. 22, 2015

Kirkus Reviews Issue: Jan. 1, 2016

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Like its bestselling progenitors, a nonstop spinoff afroth with high tech, spectacular magic, and silly business.

THE FOWL TWINS

From the Artemis Fowl series

With their big brother Artemis off to Mars, 11-year-old twins Myles and Beckett are swept up in a brangle with murderous humans and even more dangerous magical creatures.

Unsurprisingly, the fraternal Irish twins ultimately prove equal to the challenge—albeit with help from, Colfer as omniscient narrator admits early on, a “hugely improbable finale.” Following the coincidental arrival on their island estate of two denizens of the subterranean fairy realm in the persons of a tiny but fearsome troll and a “hybrid” pixie-elf, or “pixel,” police trainee, the youngest Fowls immediately find themselves in the sights of both Lord Teddy Bleedham-Drye, a ruthless aristocrat out to bag said troll for its immorality-conferring venom, and Sister Jeronima Gonzalez-Ramos de Zárate, black-ops “nunterrogation” and knife specialist for ACRONYM, an intergovernmental fairy-monitoring organization. Amid the ensuing whirl of captures, escapes, trickery, treachery, and gunfire (none of which proves fatal…or at least not permanently), the twins leverage their complementary differences to foil and exasperate both foes: Myles being an Artemis mini-me who has dressed in black suits since infancy and loves coming up with and then “Fowlsplaining” his genius-level schemes; and Beckett, ever eager to plunge into reckless action and nearly nonverbal in English but with an extraordinary gift for nonhuman tongues. In the end they emerge triumphant, though threatened with mind wipe if they ever interfere in fairy affairs again. Yeah, right. Human characters seem to be default white; “hybrid” is used to describe nonhuman characters of mixed heritage.

Like its bestselling progenitors, a nonstop spinoff afroth with high tech, spectacular magic, and silly business. (Fantasy. 11-13)

Pub Date: Nov. 5, 2019

ISBN: 978-1-368-04375-5

Page Count: 368

Publisher: Disney-Hyperion

Review Posted Online: July 14, 2019

Kirkus Reviews Issue: Aug. 1, 2019

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