Over-the-top drama and a breezy pace leave more to look forward to in the series.
De la Cruz’s new adult series based on her Blue Bloods books for teens (Gates of Paradise, 2013, etc.) starts off with a fang.
The Upper East Side is no longer the hub of activity for Manhattan’s elite underground coven of fallen angels who live among humans as vampires. Ten years after defeating Lucifer in an epic battle, the Blue Bloods have grown up and moved to trendier parts of Manhattan and Brooklyn to keep evil at bay while building their fine art collections and wishing their immortality could extend to their marriages. Jumping quickly between narrators and time frames, the lengthy exposition plays out like a television drama centering on the Four Hundred Ball, where Oliver Hazard-Perry will be anointed leader of the vampire coven with his “mortal beloved,” Finn Chase, at his side. But Finn is growing tired of feeling like a second-class citizen, and her attempts to rebel are the stuff of tabloids. So are Kingsley Martin’s. Left to rot in hell—literally—by his wife, Mimi, Kingsley’s New York homecoming takes a creepy turn when he’s linked to a missing teenage girl. Mimi, who now works in an art gallery, is busy preparing a curious collection of artwork painted in red blood for the ball, though she clearly misses Kingsley and wants him to stay. Working behind the scenes to keep the celebration from becoming a blood bath are vampire detective Ara Scott and her newly assigned partner, werewolf Edon Marrok; they track a killer who has left a trail of bloody pentagrams throughout the city. Following leads while trying not to expose the vampires to the mortal world, the investigators uncover some of the story’s most scandalous details as they find security breaches that signal trouble for humans and vampires alike. Jack and Schuyler fans will have to wait until the epilogue for an update, but it comes with a teaser for the next book.
Over-the-top drama and a breezy pace leave more to look forward to in the series.Pub Date: Sept. 9, 2014
ISBN: 978-1-4013-2471-1
Page Count: 288
Publisher: Hachette
Review Posted Online: Jan. 18, 2015
Kirkus Reviews Issue: Oct. 1, 2014
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.
Cormac McCarthy's The Road meets Chaucer's Canterbury Tales in this frightful medieval epic about an orphan girl with visionary powers in plague-devastated France.
The year is 1348. The conflict between France and England is nothing compared to the all-out war building between good angels and fallen ones for control of heaven (though a scene in which soldiers are massacred by a rainbow of arrows is pretty horrific). Among mortals, only the girl, Delphine, knows of the cataclysm to come. Angels speak to her, issuing warnings—and a command to run. A pack of thieves is about to carry her off and rape her when she is saved by a disgraced knight, Thomas, with whom she teams on a march across the parched landscape. Survivors desperate for food have made donkey a delicacy and don't mind eating human flesh. The few healthy people left lock themselves in, not wanting to risk contact with strangers, no matter how dire the strangers' needs. To venture out at night is suicidal: Horrific forces swirl about, ravaging living forms. Lethal black clouds, tentacled water creatures and assorted monsters are comfortable in the daylight hours as well. The knight and a third fellow journeyer, a priest, have difficulty believing Delphine's visions are real, but with oblivion lurking in every shadow, they don't have any choice but to trust her. The question becomes, can she trust herself? Buehlman, who drew upon his love of Fitzgerald and Hemingway in his acclaimed Southern horror novel, Those Across the River (2011), slips effortlessly into a different kind of literary sensibility, one that doesn't scrimp on earthy humor and lyrical writing in the face of unspeakable horrors. The power of suggestion is the author's strong suit, along with first-rate storytelling talent.
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.Pub Date: Oct. 2, 2012
ISBN: 978-1-937007-86-7
Page Count: 432
Publisher: Ace/Berkley
Review Posted Online: Sept. 1, 2012
Kirkus Reviews Issue: Sept. 15, 2012
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