A consistently engaging work with a well-developed main character.
A woman takes on powerful mining interests while serving as a Peace Corps volunteer in Ghana in Fischer’s debut novel.
Twenty-nine-year-old civil engineer Louisa Lehmann challenges the profit-driven company West Africa Gold to redress the harmful consequences of its gold-mining operation. Her predecessor, Lynn Lubic, formed an organization known as “the Advocacy” after her research showed that WAG’s new dam was contaminating local water supplies with cyanide, arsenic trioxide, and other heavy metals. Lehmann is up against mine manager Finn Harrigan, a quintessential corporate villain with a callous attitude, a room-length desk, and a smoking habit. The strength of Fischer’s novel rests on Lehmann—a delightful, complicated character—and the keen attention that the character gives to even the most subtle observations. For example, when describing vegetation, she narrates, “In every pore swells the dank taste of afterbirth.” Here’s her take on a piece of furniture: “There is eroticism in a table. A clean, hard surface ready and waiting to support creation.” To calm herself, Lehmann often cycles through colors, textures, and patterns, but she’s most interesting in the interrogative mode, as when she wonders, “How long does it take to walk past someone who is walking toward you?” She constantly reevaluates her internal life in an honest way and digs into her familial strife, her high-achieving childhood in Bakersfield, California, and her difficult relationship to establishment feminism, wondering at one point: “With what license could the feminists discount the lives of the men with whom I worked?” Later, as she works for and alongside local Ghanaians, she experiences ecstatic encounters with the divine. When Harrigan attempts to frame her and her organization for a crime, she at last stands up to WAG in memorable style. Lehmann never quite moves past the possessive attitude that she has toward Ghana at the story’s outset (“It is ugly and it is mine”), but she otherwise mines her psyche so deeply that readers can almost forget this lack of growth.
A consistently engaging work with a well-developed main character.Pub Date: Nov. 5, 2019
ISBN: 978-0-9802170-7-0
Page Count: 472
Publisher: Kilometer Thirteen
Review Posted Online: March 22, 2020
Kirkus Reviews Issue: May 1, 2020
Review Program: Kirkus Indie
PROFILES
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
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