by Melissa Hart ‧ RELEASE DATE: April 5, 2016
A memorable read.
Solo’s dad walked away from a successful Hollywood career writing cartoons, traded the Corvette for a VW bus, and moved his family from their beachfront home to a trailer in Oregon, where Solo’s efforts to avenge his kitten’s death at the claws of an owl go horribly wrong.
Sentenced to community service at a facility rehabilitating injured birds of prey, Solo plots his escape. Eric, a neighbor with Down syndrome and a passion for bugs, is a nice kid but no substitute for Solo’s surfing buddies. Despite himself, Solo is drawn to the injured birds, even Artemis, a great horned owl who loves being sprayed with water from the hose. Solo’s boss and a senior volunteer reach out to Solo—his parents, not so much. Moving was supposed to give Solo’s dad space to write a novel drawing on his Japanese-American family’s internment during World War II—except he can’t write. Calamities mount. The VW bus breaks down, infuriating Solo’s anxious mom. Solo’s friends back home have found a replacement for him. A budding writer, Solo gains distance from stressful events by reframing and fashioning them into screenplays. There’s plenty to observe—birds aren’t the only creatures with wounds to tend and heal. The strong setting and well-drawn cast of complicated, evolving characters (Eric and his mother are standouts) overcome a tangle of subplots and a negligible high-concept premise.
A memorable read. (resources) (Fiction. 11-13)Pub Date: April 5, 2016
ISBN: 978-1-63450-147-7
Page Count: 224
Publisher: Sky Pony Press
Review Posted Online: Feb. 1, 2016
Kirkus Reviews Issue: Feb. 15, 2016
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by Melissa Hart
by Soman Chainani ; illustrated by Iacopo Bruno ‧ RELEASE DATE: May 14, 2013
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic.
Chainani works an elaborate sea change akin to Gregory Maguire’s Wicked (1995), though he leaves the waters muddied.
Every four years, two children, one regarded as particularly nice and the other particularly nasty, are snatched from the village of Gavaldon by the shadowy School Master to attend the divided titular school. Those who survive to graduate become major or minor characters in fairy tales. When it happens to sweet, Disney princess–like Sophie and her friend Agatha, plain of features, sour of disposition and low of self-esteem, they are both horrified to discover that they’ve been dropped not where they expect but at Evil and at Good respectively. Gradually—too gradually, as the author strings out hundreds of pages of Hogwarts-style pranks, classroom mishaps and competitions both academic and romantic—it becomes clear that the placement wasn’t a mistake at all. Growing into their true natures amid revelations and marked physical changes, the two spark escalating rivalry between the wings of the school. This leads up to a vicious climactic fight that sees Good and Evil repeatedly switching sides. At this point, readers are likely to feel suddenly left behind, as, thanks to summary deus ex machina resolutions, everything turns out swell(ish).
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic. (Fantasy. 11-13)Pub Date: May 14, 2013
ISBN: 978-0-06-210489-2
Page Count: 496
Publisher: Harper/HarperCollins
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: April 15, 2013
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by Soman Chainani ; illustrated by Iacopo Bruno
by Soman Chainani ; illustrated by Iacopo Bruno
by Soman Chainani ; illustrated by Iacopo Bruno
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by Soman Chainani ; illustrated by RaidesArt
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by Soman Chainani ; illustrated by Julia Iredale
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BOOK TO SCREEN
by Elinor Teele ; illustrated by Ben Whitehouse ‧ RELEASE DATE: April 12, 2016
A sly, side-splitting hoot from start to finish.
The dreary prospect of spending a lifetime making caskets instead of wonderful inventions prompts a young orphan to snatch up his little sister and flee. Where? To the circus, of course.
Fortunately or otherwise, John and 6-year-old Page join up with Boz—sometime human cannonball for the seedy Wandering Wayfarers and a “vertically challenged” trickster with a fantastic gift for sowing chaos. Alas, the budding engineer barely has time to settle in to begin work on an experimental circus wagon powered by chicken poop and dubbed (with questionable forethought) the Autopsy. The hot pursuit of malign and indomitable Great-Aunt Beauregard, the Coggins’ only living relative, forces all three to leave the troupe for further flights and misadventures. Teele spins her adventure around a sturdy protagonist whose love for his little sister is matched only by his fierce desire for something better in life for them both and tucks in an outstanding supporting cast featuring several notably strong-minded, independent women (Page, whose glare “would kill spiders dead,” not least among them). Better yet, in Boz she has created a scene-stealing force of nature, a free spirit who’s never happier than when he’s stirring up mischief. A climactic clutch culminating in a magnificently destructive display of fireworks leaves the Coggin sibs well-positioned for bright futures. (Illustrations not seen.)
A sly, side-splitting hoot from start to finish. (Adventure. 11-13)Pub Date: April 12, 2016
ISBN: 978-0-06-234510-3
Page Count: 352
Publisher: Walden Pond Press/HarperCollins
Review Posted Online: Dec. 21, 2015
Kirkus Reviews Issue: Jan. 1, 2016
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by Elinor Teele
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