What a mess.
Marr (Seven Black Diamonds, 2016) continues the story about tension among various factions of the fae and their fight against humans.
This sequel absolutely requires knowledge of the first book if readers are to make any sense of it. In rapid succession, the author presents a bewildering array of variously human and magical characters—so many that it is difficult to discern a plot. Each of these characters appears to be involved in a one-true-love type of romance with another character. Protagonist Lily is in love with a musician called Creed, Alkamy loves Zephyr, Eilidh loves Torquil, and Will loves Roan. (Marr treats the last, gay romance equally although not as fully as the others.) And there’s also Violet, Erik, Rhys, and Leith, the third-person perspective alternating among these different characters in turn as they ponder their emotions and occasionally act. Adding to the confusion, most of these characters speak in identical voices, with the notable exception of the Queen of Blood and Rage, who rages rather well. Each of the magical characters has some kind of affinity to water, air, earth, or fire, and the author spends large portions of the book explaining these affinities, continuing to explain them even after 200 pages have elapsed. When action finally occurs, attacks tend to happen suddenly and without warning, out of the blue. The ruby of the title finds only a single, brief reference.
What a mess. (Fantasy. 12-18)Pub Date: Feb. 28, 2017
ISBN: 978-0-06-208416-3
Page Count: 368
Publisher: Harper/HarperCollins
Review Posted Online: Nov. 1, 2016
Kirkus Reviews Issue: Nov. 15, 2016
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.
The finely drawn characters capture readers’ attention in this debut.
Autumn and Phineas, nicknamed Finny, were born a week apart; their mothers are still best friends. Growing up, Autumn and Finny were like peas in a pod despite their differences: Autumn is “quirky and odd,” while Finny is “sweet and shy and everyone like[s] him.” But in eighth grade, Autumn and Finny stop being friends due to an unexpected kiss. They drift apart and find new friends, but their friendship keeps asserting itself at parties, shared holiday gatherings and random encounters. In the summer after graduation, Autumn and Finny reconnect and are finally ready to be more than friends. But on August 8, everything changes, and Autumn has to rely on all her strength to move on. Autumn’s coming-of-age is sensitively chronicled, with a wide range of experiences and events shaping her character. Even secondary characters are well-rounded, with their own histories and motivations.
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head. (Fiction. 14 & up)Pub Date: April 1, 2013
ISBN: 978-1-4022-7782-5
Page Count: 336
Publisher: Sourcebooks Fire
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: March 1, 2013
BOOK REVIEW
SEEN & HEARD
In addition to the supernatural elements, Brosgol interweaves some savvy insights about the illusion of perfection and...
A deliciously creepy page-turning gem from first-time writer and illustrator Brosgol finds brooding teenager Anya trying to escape the past—both her own and the ghost haunting her.
Anya feels out of place at her preppy private school; embarrassed by her Russian heritage, she has worked hard to lose her accent and to look more like everyone else. After a particularly frustrating morning at the bus stop, Anya storms off, only to accidentally fall down a well. Down in the dark hole, she meets Emily, a ghost who claims to be a murder victim trapped down in the dank abyss for 90 years. With Emily’s help, Anya manages to escape, though once free, she learns that Emily has traveled out with her. At first, Emily seems like the perfect friend; however, once her motives become clear, Anya learns that “perfect” may only be an illusion. A moodily atmospheric spectrum of grays washes over the clean, tidy panels, setting a distinct stage before the first words appear. Brosgol’s tight storytelling invokes the chilling feeling of Neil Gaiman’s Coraline (2002), though for a decidedly older set.
In addition to the supernatural elements, Brosgol interweaves some savvy insights about the illusion of perfection and outward appearance. (Graphic supernatural fiction. 12 & up)Pub Date: June 7, 2011
ISBN: 978-1-59643-552-0
Page Count: 224
Publisher: First Second
Review Posted Online: April 18, 2011
Kirkus Reviews Issue: May 1, 2011
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