by Melissa Stanton ; illustrated by Jennifer A. Bell ‧ RELEASE DATE: Sept. 24, 2013
The letter format has become popular as a textual structure in picture books, but this collection of missives misses the...
A little girl named Ava corresponds with Santa by mail for an entire year; their monthly letters make up the text of this mildly amusing holiday story.
The letters begin in January with Ava’s thank-you letter for her Christmas presents and continue with a pair of letters for each month through the following Christmas Eve. Ava asks Santa lots of questions in her letters, shown on the left-hand pages with scenes from Ava’s world. Santa’s patient letters answering all of Ava’s questions are shown on facing right-hand pages with accompanying views of life at the North Pole. Cheerful illustrations in a loose, comfortable style add considerable appeal to the story, but Ava’s letters don’t always seem child-written, and Santa’s letters are sometimes expository lists lacking humor. The little girl’s letters include several questions about whether Santa Claus, the Easter Bunny and the Tooth Fairy are real and whether “presents come from our parents.” Santa always manages reasonable explanations in his responses, but the questions are ones adult readers might wish to avoid altogether in a children’s book about Santa. The conclusion is the best part of the book, with Ava’s single Christmas request, to meet Santa, satisfied on the final, wordless page.
The letter format has become popular as a textual structure in picture books, but this collection of missives misses the mark. (Picture book. 4-7)Pub Date: Sept. 24, 2013
ISBN: 978-0-375-86992-1
Page Count: 32
Publisher: Random House
Review Posted Online: Aug. 13, 2013
Kirkus Reviews Issue: Sept. 1, 2013
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by Adam Wallace ; illustrated by Andy Elkerton ‧ RELEASE DATE: Feb. 1, 2017
This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers.
The bestselling series (How to Catch an Elf, 2016, etc.) about capturing mythical creatures continues with a story about various ways to catch the Easter Bunny as it makes its annual deliveries.
The bunny narrates its own story in rhyming text, beginning with an introduction at its office in a manufacturing facility that creates Easter eggs and candy. The rabbit then abruptly takes off on its delivery route with a tiny basket of eggs strapped to its back, immediately encountering a trap with carrots and a box propped up with a stick. The narrative focuses on how the Easter Bunny avoids increasingly complex traps set up to catch him with no explanation as to who has set the traps or why. These traps include an underground tunnel, a fluorescent dance floor with a hidden pit of carrots, a robot bunny, pirates on an island, and a cannon that shoots candy fish, as well as some sort of locked, hazardous site with radiation danger. Readers of previous books in the series will understand the premise, but others will be confused by the rabbit’s frenetic escapades. Cartoon-style illustrations have a 1960s vibe, with a slightly scary, bow-tied bunny with chartreuse eyes and a glowing palette of neon shades that shout for attention.
This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers. (Picture book. 4-7)Pub Date: Feb. 1, 2017
ISBN: 978-1-4926-3817-9
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: Jan. 16, 2017
Kirkus Reviews Issue: Feb. 1, 2017
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by Alice Walstead ; illustrated by Andy Elkerton ‧ RELEASE DATE: Aug. 2, 2022
Not enough tricks to make this a treat.
Another holiday title (How To Catch the Easter Bunny by Adam Wallace, illustrated by Elkerton, 2017) sticks to the popular series’ formula.
Rhyming four-line verses describe seven intrepid trick-or-treaters’ efforts to capture the witch haunting their Halloween. Rhyming roadblocks with toolbox is an acceptable stretch, but too often too many words or syllables in the lines throw off the cadence. Children familiar with earlier titles will recognize the traps set by the costume-clad kids—a pulley and box snare, a “Tunnel of Tricks.” Eventually they accept her invitation to “floss, bump, and boogie,” concluding “the dance party had hit the finale at last, / each dancing monster started to cheer! / There’s no doubt about it, we have to admit: / This witch threw the party of the year!” The kids are diverse, and their costumes are fanciful rather than scary—a unicorn, a dragon, a scarecrow, a red-haired child in a lab coat and bow tie, a wizard, and two space creatures. The monsters, goblins, ghosts, and jack-o'-lanterns, backgrounded by a turquoise and purple night sky, are sufficiently eerie. Still, there isn’t enough originality here to entice any but the most ardent fans of Halloween or the series. (This book was reviewed digitally.)
Not enough tricks to make this a treat. (Picture book. 4-7)Pub Date: Aug. 2, 2022
ISBN: 978-1-72821-035-3
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: May 10, 2022
Kirkus Reviews Issue: June 1, 2022
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