Subtle but powerful, this collection is a moving portrait of what it means to be seen and to see ourselves.
In her debut story collection, Yancy breaks through her characters' surfaces of isolation and pretense to explore the uncharted yet universal depths of human emotion.
Opening with the title story, a vignette about a couple, both geneticists, grappling with their son’s muscular dystrophy in the midst of their own professional research on the subject, the author focuses on subjects that walk a fascinating line between deeply private struggle and performative interactions with the outside world. Her characters are wrapped up in their own lives, defined in some way by a significant but not all-encompassing facet of themselves until they are shaken from their complacency. In “Consider This Case,” a fetal surgeon finds companionship when his dying father comes to live with him. “Hounds” goes behind the scenes of facial reconstructive surgery and the way it becomes fodder for the public, confronting a darkness not captured by the TV cameras. In "Miracle Girl Grows Up,” a woman who spent her childhood being treated for cancer comes face to face with her own past and potential future when a love interest refuses to let her withdraw her attention. “Teeth Apart” finds a woman seated across the table from her past and future, forced to reconcile the two existences she had separated into one whole. All these stories, many of which center on the medical industry, are meticulously wrapped up in layers of interiority, awareness of the outside gaze, and what it means to straddle the public and the private. The author’s characters are deeply flawed but not irredeemable; they are delightfully and infuriatingly human, sympathetic without invoking pity, and complex without being inscrutable.
Subtle but powerful, this collection is a moving portrait of what it means to be seen and to see ourselves.Pub Date: Oct. 5, 2016
ISBN: 978-0822944676
Page Count: 240
Publisher: Univ. of Pittsburgh
Review Posted Online: Aug. 2, 2016
Kirkus Reviews Issue: Aug. 15, 2016
It's being called a novel, but it is more a hybrid: short-stories/essays/confessions about the Vietnam War—the subject that O'Brien reasonably comes back to with every book. Some of these stories/memoirs are very good in their starkness and factualness: the title piece, about what a foot soldier actually has on him (weights included) at any given time, lends a palpability that makes the emotional freight (fear, horror, guilt) correspond superbly. Maybe the most moving piece here is "On The Rainy River," about a draftee's ambivalence about going, and how he decided to go: "I would go to war—I would kill and maybe die—because I was embarrassed not to." But so much else is so structurally coy that real effects are muted and disadvantaged: O'Brien is writing a book more about earnestness than about war, and the peekaboos of this isn't really me but of course it truly is serve no true purpose. They make this an annoyingly arty book, hiding more than not behind Hemingwayesque time-signatures and puerile repetitions about war (and memory and everything else, for that matter) being hell and heaven both. A disappointment.
Pub Date: March 28, 1990
ISBN: 0618706410
Page Count: 256
Publisher: Houghton Mifflin
Review Posted Online: Oct. 2, 2011
Kirkus Reviews Issue: Feb. 15, 1990
SEEN & HEARD
IN THE NEWS
A newcomer to watch: fresh, funny, and tough.
Seven stories, including a couple of prizewinners, from an exuberantly talented young Thai-American writer.
In the poignant title story, a young man accompanies his mother to Kok Lukmak, the last in the chain of Andaman Islands—where the two can behave like “farangs,” or foreigners, for once. It’s his last summer before college, her last before losing her eyesight. As he adjusts to his unsentimental mother’s acceptance of her fate, they make tentative steps toward the future. “Farangs,” included in Best New American Voices 2005 (p. 711), is about a flirtation between a Thai teenager who keeps a pet pig named Clint Eastwood and an American girl who wanders around in a bikini. His mother, who runs a motel after having been deserted by the boy’s American father, warns him about “bonking” one of the guests. “Draft Day” concerns a relieved but guilty young man whose father has bribed him out of the draft, and in “Don’t Let Me Die in This Place,” a bitter grandfather has moved from the States to Bangkok to live with his son, his Thai daughter-in-law, and two grandchildren. The grandfather’s grudging adjustment to the move and to his loss of autonomy (from a stroke) is accelerated by a visit to a carnival, where he urges the whole family into a game of bumper cars. The longest story, “Cockfighter,” is an astonishing coming-of-ager about feisty Ladda, 15, who watches as her father, once the best cockfighter in town, loses his status, money, and dignity to Little Jui, 16, a meth addict whose father is the local crime boss. Even Ladda is in danger, as Little Jui’s bodyguards try to abduct her. Her mother tells Ladda a family secret about her father’s failure of courage in fighting Big Jui to save his own sister’s honor. By the time Little Jui has had her father beaten and his ear cut off, Ladda has begun to realize how she must fend for herself.
A newcomer to watch: fresh, funny, and tough.Pub Date: Jan. 1, 2005
ISBN: 0-8021-1788-0
Page Count: 224
Publisher: Grove
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2004
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