by Melody Moezzi ‧ RELEASE DATE: March 3, 2020
A heartening narrative of family, transformation, and courage.
In a book that is more memoir than how-to manual, Moezzi (Haldol and Hyacinths: A Bipolar Life, 2014, etc.) chronicles her effort to apply Rumi’s 13th-century poetry to her 21st-century life.
Some readers may be surprised that the bestselling poet in the United States is a Muslim mystic who died nearly 750 years ago. Moezzi, however, isn’t the least bit stunned that Rumi’s words resonate with contemporary Western readers; it just took her a while to embrace them herself. She grew up in Ohio “dodging dead Persian poets” because her father “is a tried-and-true Rumi addict, and like most children of addicts, I grew up resenting the object of my father’s addiction.” But as an adult, the author decided to mine the Sufi mystic’s poetry to seek remedies for some of her own modern maladies—e.g. anxiety, fear, etc.—and found his words life-changing. Each of the chapters begins with a diagnosis and ends with a prescription, featuring stanzas of Rumi’s work that Moezzi translated and studied with her father. Though Rumi's poetry and its impact on her life are noteworthy, there are two narrative elements that stand out more. First, the author’s prose offers an intimate, endearing look at her relationship with her father. Second, Moezzi weaves throughout the narrative discussions of her interminable efforts to destigmatize both Islam and mental illness—not in a self-promoting way but as an advocate for herself and others; the book could shatter a variety of prejudices and stereotypes. Furthermore, the author’s translation of Rumi’s poetry will appeal to many readers because it’s well distilled and reads much like a series of aphorisms. Moezzi doesn’t claim to fully understand or precisely apply Rumi’s ancient wisdom; she’s simply telling the story of how his body of work has influenced her life.
A heartening narrative of family, transformation, and courage.Pub Date: March 3, 2020
ISBN: 978-0-525-53776-2
Page Count: 272
Publisher: TarcherPerigee
Review Posted Online: Dec. 21, 2019
Kirkus Reviews Issue: Jan. 15, 2020
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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