SMACK

In a Carnegie Medal—winning novel (under the UK title, Junk) that cuts to the bone, Burgess puts a group of teenage runaways through four nightmarish years of heroin addiction. At 14, sweet-natured Tar leaves his small seaside town for Bristol to get away from his alcoholic, abusive parents. Gemma follows him to escape an infuriatingly repressive (to her, at least) home situation. Reveling in their newfound freedom, the two find shelter with a welcoming set of “anarchists” (punks) squatting in an abandoned building, then move on to live with Lily and Rob, a glamorous couple a year or so older who willingly share not just their squat, but their heroin too. Using multiple narrators, and only rarely resorting to violence or graphic details, Burgess (The Earth Giant, 1997, etc.) chronicles drug addiction’s slow, irresistible initial stages, capturing with devastating precision each teenager’s combination of innocence, self-deceit, and bravado; the subsequent loss of personality and self-respect; the increasingly unsuccessful efforts to maintain a semblance of control. Although the language is strong, Burgess never judges his characters’ behavior, nor pontificates; more profoundly persuasive than a lecture is the turn to prostitution to finance their habits, Tar’s casual comment, “If you don’t mind not reaching twenty there’s no argument against heroin, is there?” or a scene during which Lily nurses her baby while also probing her own chest for a vein to insert a needle. Based on actual people and incidents, this harrowing tale is as compellingly real as it is tragic. (glossary) (Fiction. 13-16)

Pub Date: May 1, 1998

ISBN: 0-8050-5801-X

Page Count: 326

Publisher: Henry Holt

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: March 15, 1998

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Skip this uninspired entry into the world of medieval love and court intrigue.

THE BETROTHED

From the Betrothed series , Vol. 1

In an imagined setting evoking medieval England, King Jameson of Coroa pursues Hollis Brite.

The independent teenager makes Jameson laugh, but she lacks the education and demeanor people expect in a queen. Her friend Delia Grace has more knowledge of history and languages but is shunned due to her illegitimate birth. Hollis gets caught up in a whirl of social activity, especially following an Isolten royal visit. There has been bad blood between the two countries, not fully explained here, and when an exiled Isolten family also comes to court, Jameson generously allows them to stay. Hollis relies on the family to teach her about Isolten customs and secretly falls in love with Silas, the oldest son, even though a relationship with him would mean relinquishing Jameson and the throne. When Hollis learns of political machinations that will affect her future in ways that she abhors, she faces a difficult decision. Romance readers will enjoy the usual descriptions of dresses, jewelry, young love, and discreet kisses, although many characters remain cardboard figures. While the violent climax may be upsetting, the book ends on a hopeful note. Themes related to immigration and young women’s taking charge of their lives don’t quite lift this awkwardly written volume above other royal romances. There are prejudicial references to Romani people, and whiteness is situated as the norm.

Skip this uninspired entry into the world of medieval love and court intrigue. (Historical romance. 13-16)

Pub Date: May 5, 2020

ISBN: 978-0-06-229163-9

Page Count: 320

Publisher: HarperTeen

Review Posted Online: Feb. 5, 2020

Kirkus Reviews Issue: March 1, 2020

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Despite some missteps, this will appeal to readers who enjoy a fresh and realistic teen voice.

THE FIELD GUIDE TO THE NORTH AMERICAN TEENAGER

A teenage, not-so-lonely loner endures the wilds of high school in Austin, Texas.

Norris Kaplan, the protagonist of Philippe’s debut novel, is a hypersweaty, uber-snarky black, Haitian, French-Canadian pushing to survive life in his new school. His professor mom’s new tenure-track job transplants Norris mid–school year, and his biting wit and sarcasm are exposed through his cataloging of his new world in a field guide–style burn book. He’s greeted in his new life by an assortment of acquaintances, Liam, who is white and struggling with depression; Maddie, a self-sacrificing white cheerleader with a heart of gold; and Aarti, his Indian-American love interest who offers connection. Norris’ ego, fueled by his insecurities, often gets in the way of meaningful character development. The scenes showcasing his emotional growth are too brief and, despite foreshadowing, the climax falls flat because he still gets incredible personal access to people he’s hurt. A scene where Norris is confronted by his mother for getting drunk and belligerent with a white cop is diluted by his refusal or inability to grasp the severity of the situation and the resultant minor consequences. The humor is spot-on, as is the representation of the black diaspora; the opportunity for broader conversations about other topics is there, however, the uneven buildup of detailed, meaningful exchanges and the glibness of Norris’ voice detract.

Despite some missteps, this will appeal to readers who enjoy a fresh and realistic teen voice. (Fiction. 13-16)

Pub Date: Jan. 8, 2019

ISBN: 978-0-06-282411-0

Page Count: 384

Publisher: Balzer + Bray/HarperCollins

Review Posted Online: Oct. 15, 2018

Kirkus Reviews Issue: Nov. 1, 2018

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