A new classic for new big brothers and sisters.
A young polar bear learns to accept his role of big brother to a new arrival in his family.
Roly Poly is happy being the only child, cherished by his loving parents. He enjoys skating, fishing, and snuggling up in his own cozy bed. On the nightstand next to Roly Poly’s bed is a tiny copy of Time for Bed, the beloved 1993 classic by Fox and Dyer, reunited again as a creative team with this heartwarming story. Roly Poly’s world is shaken when a little brother named Monty shows up unexpectedly one morning, sleeping right next to Roly Poly. The older brother is annoyed by Monty’s attempts to play and is horrified when Monty grabs a freshly caught fish and steals Roly Poly’s special walrus tooth. But when Monty’s life is in danger as he floats away on an ice floe, Roly Poly realizes he does care for his brother, and he dives into the icy water to save Monty. The dramatic rescue isn’t shown in the illustrations, so readers must imagine the specifics of saving Monty for themselves. In a departure from her signature watercolors, Dyer has created charming, needle-felted polar bears as the characters, photographed with tiny accessories in miniature rooms or snowy, outdoor settings. Fox’s spare text demonstrates her deep understanding of a youngster’s intense emotions, subtly showing Roly Poly’s growth from a self-centered toddler to a big brother who can take responsibility for a younger brother he has grown to love.
A new classic for new big brothers and sisters. (Picture book. 3-7)Pub Date: Nov. 5, 2019
ISBN: 978-1-4814-4556-6
Page Count: 40
Publisher: Beach Lane/Simon & Schuster
Review Posted Online: Sept. 14, 2019
Kirkus Reviews Issue: Oct. 1, 2019
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.
What happens when a robot washes up alone on an island?
“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)Pub Date: June 24, 2025
ISBN: 9780316669467
Page Count: 48
Publisher: Little, Brown
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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