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THE QUESTION

A joyful, inclusive celebration of one child’s potential and what really matters in life.

Awards & Accolades

Our Verdict

  • Our Verdict
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A young child contemplates the future in this inclusive picture book.

Adults often ask kids what they want to “be” when they grow up (Scientist? Architect?), but the protagonist of Murray’s story yearns to be asked how they want to be. The child imagines a future spent living a peaceful life “full of laughter and joy,” maintaining a strong connection to the Earth, and finding hidden beauty in the ordinary. They ultimately conclude that whatever their future job may be, it will “never define” them. The text is written using an ABCB rhyme scheme that helps the narrative flow toward its uplifting conclusion. Blake’s illustrations are simple but effective, with pastel colors that reflect the narrator’s inner journey—nighttime scenes full of colorful cosmic swirls, for example, emphasize the child’s infinite potential. While the representation of racial diversity is minimal (only a single picture represents multiple skin colors), Murray’s enchanting prose clearly radiates acceptance and inclusivity for all—especially those in the LGBTQ+ community. From omitting any reference to the narrator’s gender to the rainbow shorts they wear throughout the story to the child’s hope to be a parent one day to a “girl or boy. Or a they or a them,” the focus remains on embracing and loving one’s authentic self.

A joyful, inclusive celebration of one child’s potential and what really matters in life.

Pub Date: Feb. 11, 2025

ISBN: 9781964934396

Page Count: 24

Publisher: Blue Balloon Books

Review Posted Online: April 16, 2025

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ON THE FIRST DAY OF KINDERGARTEN

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

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THE CRAYONS GO BACK TO SCHOOL

Nothing new here but a nonetheless congenial matriculant in publishing’s autumnal rite of back-to-school offerings.

The Crayons head back to class in this latest series entry.

Daywalt’s expository text lays out the basics as various Crayons wave goodbye to the beach, choose a first-day outfit, greet old friends, and make new ones. As in previous outings, the perennially droll illustrations and hand-lettered Crayon-speak drive the humor. The ever wrapperless Peach, opining, “What am I going to wear?” surveys three options: top hat and tails, a chef’s toque and apron, and a Santa suit. New friends Chunky Toddler Crayon (who’s missing a bite-sized bit of their blue point) and Husky Toddler Crayon speculate excitedly on their common last name: “I wonder if we’re related!” White Crayon, all but disappearing against the page’s copious white space, sits cross-legged reading a copy of H.G. Wells’ The Invisible Man. And Yellow and Orange, notable for their previous existential argument about the color of the sun, find agreement in science class: Jupiter, clearly, is yellow AND orange. Everybody’s excited about art class—“Even if they make a mess. Actually…ESPECIALLY if they make a mess!” Here, a spread of crayoned doodles of butterflies, hearts, and stars is followed by one with fulsome scribbles. Fans of previous outings will spot cameos from Glow in the Dark and yellow-caped Esteban (the Crayon formerly known as Pea Green). (This book was reviewed digitally.)

Nothing new here but a nonetheless congenial matriculant in publishing’s autumnal rite of back-to-school offerings. (Picture book. 4-6)

Pub Date: May 16, 2023

ISBN: 9780593621110

Page Count: 32

Publisher: Philomel

Review Posted Online: Feb. 24, 2023

Kirkus Reviews Issue: March 15, 2023

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