``The modern era, if it can be reduced to any single dimension, is especially characterized by its obsession with symbols and their management.'' So says Donald (Psychology/Queen's Univ., Kingston, Ontario), echoing the philosopher Ernst Cassirer a generation ago—with a difference. Whereas countless philosophers since Aristotle have attempted to define what is quintessentially human, Donald brings new knowledge of neuropsychology, ethology, and archaeology to propose a tripartite theory of the transition from ape to man. Using the fossil evidence of braincase size and tool-kit remains, Donald concludes that the australopithecines were limited to concrete/episodic minds: bipedal creatures able to benefit from pair-bonding, cooperative hunting, etc., but essentially of a seize-the-moment mentality. The first transition was to a ``mimetic'' culture: the era of Homo erectus in which mankind absorbed and refashioned events to create rituals, crafts, rhythms, dance, and other prelinguistic traditions. This was followed by the evolution to mythic cultures: the result of the acquisition of speech and the invention of symbols. The third transition carried oral speech to reading, writing, and an extended external memory- store seen today in computer technology. This summary, however, does not do justice to Donald's careful analysis of rival theories as well as his mining of the neuroanatomical and neurological literature, presenting, for example, evidence of the distribution of language skills across both hemispheres. He gets high marks, too, for pointing out how often cognitive theories become caught up in the trap of the homunculus—the little man in the brain who presides over all our conscious activities. Needless to say, his theory is open to challenge as well (the relation of mimesis to language; the constant reliance on computer metaphors; and, ultimately, the use of Western tradition as the paradigm of human evolution). Withal, a fine, provocative and absorbing account of what makes humans human.
Pub Date: Oct. 1, 1991
ISBN: 0-674-64483-2
Page Count: 448
Publisher: Harvard Univ.
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1991
BOOK REVIEW
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
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