THE FLOWER GIRL WORE CELERY

A wedding of the new century joyously wrapped in tradition.

Little Emma’s cousin is getting married, and such a delightful mix of something old, something new it is.

Emma’s cousin Hannah has asked her to be the flower girl at her upcoming nuptials. Emma is excited and happy but confused. Her mother describes her dress as “celery,” and Emma, taking this literally, believes that she will walk down the aisle adorned with stalks of the green vegetable. She also mishears when told that she will be accompanied by a ring bearer and thinks that a bear will be her escort. But the biggest assumption is based on cousin Hannah’s intended, who has the gender-neutral name Alex. Alex, readers learn later in the story, is also female. The wedding is a blend of traditional and modern Judaism. The ceremony is held under a canopy, wine glasses are shattered by the newly married couple, the ketubah, or wedding contract, is read, but the rabbi is a woman—the nontraditional element. Gordon’s story of a same sex marriage is happy and positive. No adults or children raise eyebrows or concerns beyond Emma’s initial surprise. The entire affair is oy!—such a joy. Clifton-Brown’s colorful and humorous illustrations of the white family with round faces and rosy red checks depict a most happy assembly.

A wedding of the new century joyously wrapped in tradition. (Picture book. 4-7)

Pub Date: Oct. 1, 2016

ISBN: 978-1-4677-7844-2

Page Count: 32

Publisher: Kar-Ben

Review Posted Online: July 19, 2016

Kirkus Reviews Issue: Aug. 1, 2016

ON THE FIRST DAY OF KINDERGARTEN

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

THERE'S A ROCK CONCERT IN MY BEDROOM

Nice enough but not worth repeat reads.

Emma deals with jitters before playing the guitar in the school talent show.

Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)

Nice enough but not worth repeat reads. (Picture book. 4-6)

Pub Date: March 29, 2022

ISBN: 978-0-593-35207-6

Page Count: 40

Publisher: Razorbill/Penguin

Review Posted Online: Feb. 8, 2022

Kirkus Reviews Issue: March 1, 2022

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