A Treasure Island for the modern era, recommended for middle-grade readers and fans of pirate-adventure tales.
In Karayaka’s debut novel, a young boy finds a father figure in a mysterious old fisherman, starting him on a swashbuckling quest on the high seas.
Levend and Orion, two old friends, return to Levend’s hometown ahead of a party scheduled for the following day. Both men recognize an old boat on the docks, and when a group of local boys ask how the men know the vessel, Levend begins to tell a tale about when he was 14 and confided in an older fisherman calling himself “Mr. Ben Ice.” Levend grew to trust Mr. Ice, who was missing an eye, a hand, and a leg, and followed him out to sea on a search for fish. However, young Levend quickly realized that Mr. Ice had a sinister history and that his own life was now at risk. The boys listen to Levend’s story with bated breath, and after Orion reveals his connection to the tale, they enjoy a drama replete with pirates, secret elixirs, combat, and betrayal. At the center of all of it is the mystery of who Mr. Ice really was. And what of Benice, the wife whom he longed for? Karayaka’s novel is an occasionally violent page-turner that sometimes rewinds the action to allow different narrators to fill in events from alternate perspectives. As a result, it features three different time periods and a plethora of plot twists. However, the aforementioned violence is understated, and the narration keeps all the details clear and concise, making it suitable for younger readers. The writing style is reminiscent of the prose in the 1993 English translation of Paulo Coelho’s novel The Alchemist, featuring turns of phrase that offer nuggets of wisdom. Eason’s (The Gobblings, 2017) illustrations at the start of each chapter are done in a classical style, reminiscent of boys’ adventure books from the 1950s and ’60s, and use a light color palette to evoke a sense of mysticism. It all comes to a touching conclusion, and readers are left with a lasting moral.
A Treasure Island for the modern era, recommended for middle-grade readers and fans of pirate-adventure tales.Pub Date: Oct. 30, 2018
ISBN: 978-0-9989640-4-1
Page Count: 216
Publisher: Yunka Publishing
Review Posted Online: Oct. 23, 2018
Kirkus Reviews Issue: Dec. 15, 2018
Review Program: Kirkus Indie
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
IN THE NEWS
SEEN & HEARD
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