by MF Thomas ‧ RELEASE DATE: Dec. 2, 2019
A confident SF thriller that deftly addresses themes of resilience, faith, and the value of video games.
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Thomas’ (A Sickness in Time, 2016, etc.) post-apocalyptic tale features a man hunting for his family and a lone technology company that’s survived the downfall of the power grid.
A series of electromagnetic pulses have rendered Earth’s electronic devices useless, throwing civilization back hundreds of years; most people call this event “the Change.” Vicious gangs, including the powerful, widespread Seventh, have hobbled law enforcement. Before the Change, FBI agent Walter Jackson had traveled from Memphis, Tennessee, to California’s Bay Area in search of his wife and daughter. Sarah and college-bound Maddie had left him because his work always seemed to be his primary focus. Now, eight years after learning Sarah’s grim fate, Walter remains in Sunnyvale as a cop, still searching for Maddie. One day, he and his partner, Hernandez, are investigating Seventh activity at an old roller rink. They break up a dogfighting pit, and one of the canines brings Walter to a corpse with a “red and black yin-yang” symbol tattooed on its arm. Using additional information from an acquaintance called Captain Anthem, Walter locates the Palo Alto company Terrestrial Economic Solutions. In their heavily guarded and somehow electrically powered underground facility, he finds a video arcade. A woman named Sloan Holt runs it, allowing teenagers to play nonstop and live on the site. She enigmatically tells Walter that TES researches “neurological topics.” The complex truth is that TES sent a manned mission to the Trappist star system; Sloan’s brother, Frank, was a crewmember with whom they lost contact after the Change. The author draws readers through his post-apocalypse in provocative stages. Echoes of Orson Scott Card’s Ender's Game (1986) and Ernest Cline’s Ready Player One (2011) set up the interlocking arcs of the characters, with each missing family in a broken world. The narration offers snarky critiques of how many people live today: “World-wide, precious snowflakes were...rediscovering how to survive without Twitter, skinny lattes, yoga pants, and beard wax.” He also mentions changes that happened before the EMP blasts; about mining asteroids for precious metals, readers learn that “Zuckerburg [sic] might have been involved after Facebook was broken-up by the Feds.” After Walter and Sloan meet, their quests combine; the mystery of Frank’s crew drives the plot, with Maddie’s whereabouts taking something of a back seat. Interpersonal drama at TES simmers as a man named Ashif Showkat pines for Sloan; he’s a Blender, maneuvering “bots” remotely from a special pod to explore the Trappist planet. Sloan, like Walter, puts work ahead of love and believes that Ashif “expected her to be his prize, which was both embarrassing and flattering.” Nostalgia is a force unto itself, as when Walter discovers the arcade, packed with hypnotic lights and sounds. Far from being regressive, the characters’ faith in the past proves to be a way forward. Thomas shows impressive skill at placing well-timed plot twists. Revelations about who finances TES, the origin of the EMP blasts, and Frank himself send the narrative soaring.
A confident SF thriller that deftly addresses themes of resilience, faith, and the value of video games.Pub Date: Dec. 2, 2019
ISBN: 978-1-5439-8906-9
Page Count: 304
Publisher: BookBaby
Review Posted Online: Nov. 9, 2019
Kirkus Reviews Issue: Dec. 15, 2019
Review Program: Kirkus Indie
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PROFILES
by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
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New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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BOOK TO SCREEN
by Christopher Buehlman ‧ RELEASE DATE: Oct. 2, 2012
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.
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New York Times Bestseller
Cormac McCarthy's The Road meets Chaucer's Canterbury Tales in this frightful medieval epic about an orphan girl with visionary powers in plague-devastated France.
The year is 1348. The conflict between France and England is nothing compared to the all-out war building between good angels and fallen ones for control of heaven (though a scene in which soldiers are massacred by a rainbow of arrows is pretty horrific). Among mortals, only the girl, Delphine, knows of the cataclysm to come. Angels speak to her, issuing warnings—and a command to run. A pack of thieves is about to carry her off and rape her when she is saved by a disgraced knight, Thomas, with whom she teams on a march across the parched landscape. Survivors desperate for food have made donkey a delicacy and don't mind eating human flesh. The few healthy people left lock themselves in, not wanting to risk contact with strangers, no matter how dire the strangers' needs. To venture out at night is suicidal: Horrific forces swirl about, ravaging living forms. Lethal black clouds, tentacled water creatures and assorted monsters are comfortable in the daylight hours as well. The knight and a third fellow journeyer, a priest, have difficulty believing Delphine's visions are real, but with oblivion lurking in every shadow, they don't have any choice but to trust her. The question becomes, can she trust herself? Buehlman, who drew upon his love of Fitzgerald and Hemingway in his acclaimed Southern horror novel, Those Across the River (2011), slips effortlessly into a different kind of literary sensibility, one that doesn't scrimp on earthy humor and lyrical writing in the face of unspeakable horrors. The power of suggestion is the author's strong suit, along with first-rate storytelling talent.
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.Pub Date: Oct. 2, 2012
ISBN: 978-1-937007-86-7
Page Count: 432
Publisher: Ace/Berkley
Review Posted Online: Sept. 1, 2012
Kirkus Reviews Issue: Sept. 15, 2012
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