Complex scientific notions in a story format prove equally entertaining and perceptive.
In this sci-fi thriller, preventing a near-future plague may simply entail getting help by sending messages into the past.
Josh Scribner was a mere teen when he conceived the Beetle, a brain implant to treat seizures or neurological disorders. By 2039, the now-billionaire has come to the terrifying conclusion that Beetles may not be remedying such conditions but actually causing them. Each new implant makes the ailment worse, processing loads of data that affect even brains without Beetles and making everyone sick, including Josh’s daughter, Cierra. Fortunately, his physicist pal Min-Jun Dan has a potential solution: use available technology to send a metal marker back in time and establish communication with someone. In 2015, Air Force veteran and pilot trainer Maria Kerrigan stumbles upon a marker dated 1999 and addressed to Dr. Weldon Qualls at Princeton University. Qualls, a published supporter of time travel, enlists Maria’s assistance, not yet aware of what they’ll be preventing. Further correspondence (P.O. boxes and coordinates for new markers) confirms that an attempt to alter the future is unsuccessful. But there’s something bigger at play, as Josh suspects that some deaths in 2039 may not be from the Beetle itself but active assassinations. At the same time, Maria and Qualls, still in 2015, could be in danger. Thomas and Thurkettle’s (Seeing by Moonlight, 2015) time-traveling novel deviates from most other tales of this subgenre by focusing more on concept than action. This preserves simplicity throughout, even as Josh and Min-Jun discuss “other version[s] of now,” slight changes in their own lives as a result of Maria’s missions. The story also introduces a fascinating dilemma: can individuals retain memories from prior versions of themselves? Maria is initially more engaging than the plot, mercilessly tormented by deaths she caused by piloting drones and conversing with “the Voice” in her head. But the twisty second half is pure exhilaration, adding a clear-cut villain and new, essential characters. The authors’ prose is, like the book overall, intelligent and comprehensive, especially with chic terminology like “gravity wake,” a field created by accelerated particles, the essence of traversing space-time.
Complex scientific notions in a story format prove equally entertaining and perceptive.Pub Date: N/A
ISBN: 978-1-4835-7621-3
Page Count: 302
Publisher: BookBaby
Review Posted Online: Nov. 17, 2016
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
An ambitious and satisfying conclusion to a monumental saga.
Brown completes his science-fiction trilogy with another intricately plotted and densely populated tome, this one continuing the focus on a rebellion against the imperious Golds.
This last volume is incomprehensible without reference to the first two. Briefly, Darrow of Lykos, aka Reaper, has been “carved” from his status as a Red (the lowest class) into a Gold. This allows him to infiltrate the Gold political infrastructure…but a game’s afoot, and at the beginning of the third volume, Darrow finds himself isolated and imprisoned for his insurgent activities. He longs both for rescue and for revenge, and eventually he gets both. Brown is an expert at creating violent set pieces whose cartoonish aspects (“ ‘Waste ’em,’ Sevro says with a sneer” ) are undermined by the graphic intensity of the savagery, with razors being a favored instrument of combat. Brown creates an alternative universe that is multilayered and seething with characters who exist in a shadow world between history and myth, much as in Frank Herbert’s Dune. This world is vaguely Teutonic/Scandinavian (with characters such as Magnus, Ragnar, and the Valkyrie) and vaguely Roman (Octavia, Romulus, Cassius) but ultimately wholly eclectic. At the center are Darrow, his lover, Mustang, and the political and military action of the Uprising. Loyalties are conflicted, confusing, and malleable. Along the way we see Darrow become more heroic and daring and Mustang, more charismatic and unswerving, both agents of good in a battle against forces of corruption and domination. Among Darrow’s insights as he works his way to a position of ascendancy is that “as we pretend to be brave, we become so.”
An ambitious and satisfying conclusion to a monumental saga.Pub Date: Feb. 9, 2016
ISBN: 978-0-345-53984-7
Page Count: 400
Publisher: Del Rey/Ballantine
Review Posted Online: Dec. 8, 2015
Kirkus Reviews Issue: Dec. 15, 2015
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