Somewhat uneven writing amid a myriad of powerful images.
A visually stunning presentation of the lives of women and children surviving under the worst circumstances in Burma, Mexico, Russia and Malawi.
The project is a joint production of actress/reporter Kirshner, writer MacKinnon (Dead Man in Paradise: Unraveling a Murder from a Time of Evolution, 2007, etc.) and Shoebridge and Simons, creative directors at Adbusters. (The book also contains work from Chris Abani, Phoebe Gloeckner, Joe Sacco and others.) The authors open with the anonymous stories of refugees along the Thailand-Burma border, featuring sex workers in Burmese brothels where the HIV/AIDS rate is 25 percent, and children forced into service in the Burmese army. The horrific stories of rape, abortion and violence they tell are accompanied by equally disturbing artwork that combines paintings, drawings, text and photographs. In Russia, the setting is the Republic of Ingushetia, home to refugee camps filled with displaced persons from neighboring Chechnya. Included here is a stark six-part graphic novel, “Chechen War, Chechen Women,” depicting the grim lives of women during and after the war. The Mexican section looks at the lives of missing and murdered girls in Ciudad Juárez and features a still-missing teenager, Ericka, whose story is illustrated with Polaroid snapshots of empty rooms annotated by her mother, and Claudia, a murdered 20-year-old whose short life is illustrated with sketches, documents, posters, needlework pictures and collages. In Malawi, where HIV/AIDS, malaria and tuberculosis are decimating the villages, a simple, poignant story of birth, life and death from “the wasting disease” is accompanied by delicate, lovely illustrations. The inmates of Kachere Prison, mostly poor orphan boys awaiting trial, narrate their stories of murder and minor theft, with the text superimposed over bleak, harsh, poster-like blocks of type. Kirshner, who visited the brothels, refugee camps and prisons in each of these countries to interview the subjects, links the pieces, provides the background necessary to understand each situation and offers her thoughts and impressions. The contributions of her collaborators are not individually identified, but the visuals lift this work above the ordinary.
Somewhat uneven writing amid a myriad of powerful images.Pub Date: Oct. 14, 2008
ISBN: 978-0-375-42478-6
Page Count: 336
Publisher: Pantheon
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 2008
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
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